Comment On The Form And Develop Of Imagery Criticism By Zhong Rong' Shi Pin

Imagery criticism is a important and unique critical method in Chinese ancient literary critical method.The essential characteristic of this method is critics draw support from some vivid and concrete and implicit imagery or mood to explain inherent charm and total appeal of target.The research on Chinese ancient literary critical method frequently considers imagery criticism is the branch of impression criticism or appreciative criticism,its research is not abundant.This paper wants to define the concept of imagery criticism explicitly,explore the form and develop of imagery criticism,emerge the developing process of imagery criticism unequivocally.Taking Zhong Rong'Shi Pin as example to research the form and develop of imagery criticism has two reasons.Firstly, Shi Pin is the turning work of applying imagery criticism, Shi Pin has forming connecting link function in the develop of imagery criticism. Shi Pin quoted many predecessors'imagery criticism and created a great deal of vivid and concrete imagery criticism.Secondly, Shi Pin is the first poetry theory critical work in our country,poetry is the best literary genre to embody the trait of imagery criticism. Shi Pin was created in the Northern and Southern Dynasties,the connotation of imagery from philosophy and metaphysics changed to aesthetic essence, Shi Pin applies imagery critical method from literary essence. The research on before imagery criticism only cites the examples of imagery criticism to explain what is imagery criticism,this paper will analyze all examples of applying imagery criticism specifically with writers and work inseparably.This paper will explore the reason and method and subtlety of using imagery criticism.By analysis of Zhong Rong'Shi Pin imagery criticism,we can find the examples of imagery criticism almost accompany quoted criticism and comparable criticism inseparably.We can analyze imagery criticism by the visual angle of other critical methods,all the critical methods are in general relation.The structure of Chinese character and critics profoundly recognize to Chinese poetry aesthetic essence and Chinese traditional audiovisual thought and Indian poetry theory affect are the reason of the form of Chinese ancient special imagery criticism. Imagery criticism has the evolving orbit like this. Imagery criticism originated The Book of Songs and The Book of Changed,on the kingdom of Wei,the Jin Dynasty and the Northern and Southern Dynasties it became a mature and independent critical method and was applied extensively.From Tang Dynasty to Qing Dynasty its developing tendency was the applying of abundant imagery criticism, abundant imagery criticism was many images appeared at the same time.The appearing of abundant imagery criticism made momentum of literary criticism becoming magnificently even extravagantly and resplendently.After the late Tang Dynasty imagery criticism stressed creative concept forcefully and emerged a lot of inherent emotional trait.At this period, Si Kongtu made traditional imagery criticism develop advanced,he was the epitome of applying imagery criticism.From Song Dynasty Yan Yu because of the start of Zen,esthetic ideal of imagery criticism inclined dilutive and void evidently.Images usually are untrammeled and lonely void phantom not existential substance.This paper also pays attention to the defect of imagery criticism,one-sided standpoint may make people puzzled at times. The theoretical pattern of imagery criticism connects with works inseparably and searchs implication of works by appreciation. Imagery criticism summarizes experience and regularity of literary create,vital images usually forgive rational knowledge. Imagery criticism differs theoretical criticism of western literary criticism and forms Chinese characteristic literary critical method.