Research On Chinese Film And Artistic Conception

It is necessary to explain cinema phenomenon by using the theory of their own,so does Chinese Film. As the paramount ideal of Chinese classical aesthetics,the theory of artistic conception which is put into cinema's vision can not only rich the aesthetic form and strengthen the national feature of the Chinese Film ,but can aslo promote the Chinese Film's artistic character efficiently.The thesis is made up of four parts.The first part disscusses the cinema description by comparing between the theory of Chinese classical paint and Western paint,so as to expond the film composition and subject space which are depend on Chinese aesthetics.The second part is something about "blank",which has a deep relationship with blank shot ,the expression,motion,conversation in the course of acting and equivocal connotation.The third part which explicates the national characteristic of long shot and emotion-cut editing.The fourth part explains several Chinese film which is artistic and meaningful in a personal view. These so excellent films are Jia-zhangke's《Still life》,Wang-quanan's《Tura's marriage》,Yang-yazhou's《Loach is fish》and Hasichaolu's《The old barber》.