The Modern Drama's Poetic Soul Under The Clarion Of The Time--The Evolution Of Tian Han' View Of Art Function And His Modern Dramas

In the time of "WuSi",under the influence of the West aestheticism ideological trend,Tian Han maintained "the abundant artistic supreme principle" at the artistic movement,and his modern dramas forms poetic style which is Tian Han's unique individuality.In 1930,Tian Han's view of artistic function occurred fundamentally "changed",He said goodbye to the artistic suprme principle,and began to emphasize the political function of art served the social movement,he had become the leader of Chinese Left wing play movement.After changed,Tian Han'modern dramas presents the complex landscape which show the polarization:On the one hand,he created outstanding work which had the obvious poetic style at each historical time,on the other hand,he created many seasonable dramas which become the spirit of microphone.This article discusses the relation between the time and the art function evolution of Tian Han,and how the relation effect his creation.It can provide the rule and advice for the moder drama writers.Before changed,though Tian Han maintained "the abundant artistic supreme principle" at the artistic movement,what he said is different from the West aestheticism ideological trend,in Tian Han's view of artistic function included the content of artistic indepence and so on.in the same time,affected by the time of "WuSi",his modern dramas unheld the morbid state and the decadence of the West aestheticism ideological trend.because of the interaction with the specifical "artistic supreme principle",the trend of "WuSi",the emancipation of man's individual character,Tian Han's modern dramas presented the character of emotionality,liberastyle,graceful.and formed Tian Han's poemtic style. The years between 1924 and 1929,is the time of Tian Han's view of art funcion changed,,the reason of changed is the revolutionary literature movement grows,the strong patriotic salvation mood in Tian Han's heart.When changed,Tian Han was so warned,contridictionary,helpless and swing.This mood put into his dramas creation made his work have both the srong and weak points:《Go to the South》《The dead of a fomous player》are the dramas of poetic style,and《Consistent》《The dance of fire》are the microphone of the spirit After changed,Tian Han's work presented ideological features,and his achievements of art show the polarization:《Tune of the Rejuvenation》《Guan Han Qing》and so on the dramatic works have blend the writer's "poetic style "and "the revolution"ideological trend,therefore,they are the classics in Chinese drama history.But《Chaotic Clock》《Strafe》and so on works because of paying close attention to the political function of modern drama,are the seasonable work which lacks the artistic vitality.Tian Han's art function view evolution affected his creation showed that:It is not crime that writers progresses along with the current,The key is that the writers cannot despise the rule of art,cannot lose the self-style at any time.All must seek the resonating engagement spot of the art and the time:Let the art have the great gas because of the pouring of the spirit to the age,Let the spirit of age have the emotional appeal because of the art.