The Study Of Eric Rohmer Films About The Space-time Arts

In many masters dominated of the New Wave films ,Eric Rohmer is maverick. "Long shot, Anti-modernist color" has become an important Rohmer film characteristics. The new mix of the "long shot" screen and the "chatter figures of speech"and the moving picture frames give Rohmer films the precedented innovation of the "time and space to build.". Truffaut gave Rohmer high praise: "We knew that he was one of the best of us." Eric Rohmer extends the film theory of Bazin Mirage thinking: "screen is a hiding place, mean that all the King a vision." his films have not only been the carrier of the traditional story , but the continuation of his Thinking films. Following is the three chapters of this article and article innovation:Chapter I Eric Rohmer films—Ideological film. This part of the innovation lies in the research of Eric Rohme films about Postmodernism creative thinking that through the "Ultra-in," "he" and "Equality of Things," Analysis of the dialectical philosophy of ethics about "moral" and "action" in Rohme films .With music pattern of creative thinking to study ways to build the symphony's "Six Moral Story" films; First.With Hegel's "The spirit of phenomenology" we can comprehend Rohmer films that pay little attention on Plots,but more and more Speeches .These "appearances, and had a premonition of his own soul" of the characters build their lives in Rohmer films and discuss their spirit , Opinion about trivial phenomenon(life,love, moral , philosophy, religious,arts and so on)to show "the true spirit ."Chapter II,Eric Rohmer films space arts - the moving picture frames. Rohmer is a master of films arts, also is an outstanding film theorist. In his doctoral thesis "Murnau space organization" , he introduced the concept of the film's three space: Painting space, Building space and Film space. This part of the innovation lies in that according to the spatial theory, this chapter pays close attention on the film's three space, we can get the thinking of his films and come into these art psychological landscape ,which is the gazed soul(deep inside)—the true meanings of " the painting in the frame " .Chapter III, Time imagery—ontinuity of art life . This part of the innovation lies in that based on the "Time and image" of Gill. Deleuze , analysis of the time layers in Rohmer films and time images. From the time of the vertical point of view, we put forward and study the time flow layer and tension of the "long shot" screen , the self-reflection from the nagging figures and the time image care of the life and psychological difficulties which is the "human and nature, social harmony and unity of the survival of the state."in Rohmer films. By the characteristics of Postmodernism "activation differences, the relative nature of publicity," linking with the traditional Chinese philosophy in the earliest and relatively simple,"Equality of Things" we found potential ideological outlook on the world in Rohmer films, with traditional Chinese philosophy, "Harmony between man and nature" of the harmonious unity of ideological common ground.