The Literature World Intertwined Under Qilu Culture

Shandong Writer Bi Sihai began to engage in literature world as a traditional peasant culture critic. His deep sense of crisis has inherited the tradition of Shandong literature. Engaged in literature three decades, he has never left Qilu culture. His novels have demonstrated a strong Qilu cultural complex, no matter it's geographical, cultural, political, or merchants. So is his prose. He is unique as his literary creation has reflect Qilu culture on a multi-level, not limited to criticism of Qilu Culture, but gives a rational look into it and explores the outstanding beauty and highlights its role in modern society. He has always been doing his creation in the spirit of taking the essence, discard the dregs of Qilu culture. His work is mainly for the bottom of the society , through analyzing how Qilu culture has influenced, give deep concern of the people, shows his, as a humanities intellectuals, sense of consciousness in life. and social responsibility .Based on these characteristics, from the perspective of Qilu culture, this paper analyzes the complex relationship between Qilu culture and Bi Sihai's literature and find out some thought-provoking issues. Papers from the following major components:Introduction of the complete summary of the overall features of the world's creation, content and form from the grasp of both. Sihai completed work on research done a simple card, and a clear perspective of the research in this article.The secend chapter is literature review which describes the development of Qilu culture. Through analyzing of special geographical and cultural space, the long family history and the complexity of life experiences, the first chapter reveals the firm impact of Qilu culture on the writer. Chapter two of this article is the body part, which analyzes how the writer is influenced by Qilu culture in his literary works.Cultural perspective of human nature is the author's thinking pattern and views on the dimensions of the world. Taking Qilu culture as the starting perspective, the author demonstrates the development of the hundred years of Chinese literature history in his own pen and wisdom and reveals the inevitable trend as well difficulties of the transition from agricultural civilization to modern civilization. This chapter then depicts people's burden of life and spirit in the traditional culture of the "Four Seasons Mountain" in such great development context. The author ahs clear mind and idea in Qilu culture. The writer filters the spiritual essence of modern Qilu culture and understands clearly its role in modern society. Three parts of Qilu culture are included to give a modern reflection of Qilu culture, from the crazy complex land worship paranoia, deep-rooted suppression on business concept, the backward feudal home ethical criticism and the desire of human nature under the temptation of four aspects of alienation respectively. The author demonstrates the deep sense of crisis and humanitarian feelings in culture. The outstanding beauty of Qilu culture is strongly embodied in the following four areas: freedom of publicity of rebellious spirit, Tak Man of the people of this idea, the concept of respect for the elite talents and common national integrity and hatred for enemies. In order to understand Qilu conscious spiritual development of culture, the author expresses the conscious succession of spirit of hard work in Qilu culture and self-improvement spirit and deep cultural sense of worry. Whether it is the author's creative works to pave the way or the rich flavor of young people at that time in rural areas, have shown a striving force to move forward. Sense of anxiety are Shandong writers'common characteristics, but the anxiety reflected by Bi Sihai is in the more deep-seated cultural anxiety which generalizes from top of the whole humanity to examine the development of high culture and has underpinned the Confucian style.Chapter three analyses the aesthetic implication in the shadow Qilu culture. Realism is the author's writing posture, but the author breaks through the traditional mode of realism, using the traditional methods with modern techniques of combining the idea of art. The two complement each other, work together to raise the intensity of artistic expression. Three aspects are proved separately from the metaphorical use of practices, modern techniques of infiltration, the status of the writer. The conclusion remarks points out the author's simple and honest style of writing can not be separated from the author's rational thinking and wisdom. The author's ability is embodied in the lines and words; there is no false sense of abundance, because the authors pay special attention to degrees. The author's language is very unique, with no particular quotations, which will be the concerns in future study.