| Documentary film and television arts as one of the most vibrant flowers, is the mother of all film and television arts. Reality is the life of the documentary .when we look at a documentary history of the development of a hundred years, the documentary has been the formation and construction of the theoretical system of different and creative genre.Although Western documentary style, the style and methods, there are great schools all the difference, but fundamentally a documentary is a "non-fiction" expression of the image to the conclusion that the whole theory and practice of documentary creation of the theory of a common identity basis points.Therefore, whether film or television documentary record, the record of the fundamental characteristics of the image are attributed to their non-fiction, non-performing nature of the documentary, which is the core image non-fictional content is the voice of body image, picture, time, space, non-fiction , which means all the arts as a form of ideographic areas can not fundamentally change the nature documentary record of the image, on the contrary documentary images in the body adhere to the contents of the real non-fiction on the basis of all artistic representation of the rational use of means to record images to improve the aesthetic value and artistic worth.In this paper, images from the body content of a record start, record images on the theoretical definition of academic division, as well as a documentary history of the development of a comprehensive, systematic grooming, to answer what is the real objective documentaries and documentary art reproduction and the relationship between the binary opposition, so as to arrive at new documentary film theory and paradigm, and on this basis to build a new documentary film and the creative mode, and the scope of the new documentary film of the meaning and value to the logic of documentary research and writing has a certain significance.
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