Study For Female Image Building And Performance Characteristics In Opera

The opera master,Verdi,is the greatest opera composer after Rossini,Bellini and Donizetti in Italia.Verdi's opera is the development of the Italian traditional singing art and further enhance and enrich the dramatic performance ability of the opera.His creative follows the idea of "human drama".In his opera music,his pursue is the heart of human nature and subjective life experience."Il trovatore" is one of the three masterpieces in medium-term of his creation.It is considered to have the most complicated plot,emotional conflicts and strongest contradictions for Verdi's opera.The two female characters in the drama have distinctive personalities.They are full of emotions in the heart and have a strong dramatic sense in the conflicts of love and hate.The purpose of this paper is to study the female image-building in the drama and the characteristics of arias.By brief introduction of Verdi's life and work,the paper analyzes the music style of Verdi opera and creative concept,and tries to analyze and discuss image-building of Asuina and Asuina in the aspect of character's drama image and music image in order to reveal character personalities and the complex emotional journey.Through discussing the singing techniques of the three arias,the paper tries to fully demonstrate the characteristics of the image and the deeper meaning of music.This is to provide a reference and basis for singer modeling an opera image and second creation of arias from a higher level. Verdi links music and drama closely and accurately grasps the development of the drama and emotional character.Verdi is good at making use of foreshadowing and rendering practices to build dramatic climax of opera image in emotion.Under the guidance of the aesthetics of music and opera,this paper is to do in-depth analysis for the female image-building in the play.The text is divided into four main parts:the first chapter mainly introduces Verdi's life, his creative characteristics and creative background of the opera "Il trovatore";the second chapter mainly analyzes how to shape the two female image characters from the aspect of the opera theater composer image,and at the same time discusses the performers how to proceed with a second creation;Chapterâ…¢specifically analyzes music,concerts and other features of the three arias from the opera characters image;the fourth chapter analyzes the "dramatic" voices' characteristics of Verdi opera singing from the point of view of vocal and music teaching,and makes a few suggestions for dramatic vocal teaching.