Bel Canto With Vocal Concert Of Tibeten Art Comparative Study

Bel Canto into China since the beginning of the twentieth century, such the establishment of sound systems in the scientific method of singing has been widely accepted and loved, and sang with the professional depth of the Han people singing folk songs combined, forming a we now hear called "national singing" professional concert system, will be singing our national level of vocal music to a new level. In recent years, the Bel Canto and Tibetan vocal arts concerts have begun to fit and development we have had to hear the Tibetan songs and performed by professional actors singing some classic folk forms, it can be said to form a new style of singing, and arts scene in Tibet, has emerged a large number of systems have received excellent training in professional concert singer. But at the same time, we have seen, because the natural environment, cultural backgrounds, aesthetic characteristics of the different language and other factors, such as fit as there are such problems. Therefore, this article is intended to bel canto singing and Tibetan vocal music as an entry point of comparison, from the historical origins and development of the status quo, aesthetic characteristics, and other aspects of singing technique and the analysis of comparative studies, in full respect for the development of the arts under the premise of the law, Discussion of the two singing each other and fit the development of an effective way.The article provides an overview of the preamble comparative study of two types of singing research, as well as the purpose of the study, significance and methods. Then introduced the bel canto vocal concert of Tibetan art and the history and development of the status quo; analysis of two singing their own unique cultural connotation and aesthetic characteristics, and on this basis the form of two songs on the aesthetic characteristics of the similarities and differences do Comparative Analysis; analysis of different ways to use two forms of singing in the concert on the characteristics of techniques and a comparative analysis in this regard; through several parts of the previous analysis of the two forms of singing and learning from each other, the possibility of development fit were discussed.