A Creation Research Into Brahms's "d Minor Piano Concerto No.1"

Johannes Brahms (1833-1897) was the second half of the 19th century German composer and pianist. He had created created two Piano Concerto in his all life. "d Minor Piano Concerto No.1" is the first Orchestral works that Brahms created, is the most representative of the creation of early Orchestral works, and also is a work which has a very Classicism contents and Romanticism form, and indicates that it represents the Brahms Orchestral was created by artistic style. As half of the 19th century composer, in the raging tide of Romanticism music, but Brahms adopted the traditional Classicism music techniques, while at the same time learn from the Romanticism creation way to create a very audible of the heroes of the music in his "d Minor Piano Concerto No.1". Works will be a hero and long lyrical melody, self-contained Personality rhythm quite the color and tone, simple and beautiful folk music material, the edge of the mixed structure of the music composer, and other unique techniques, artfully Organizations in the balance of classical music and traditional structures, building a bridge between classical music and romantic music, formed in the nineteenth century in the second half of the unique style of music. Therefore, the Brahms "d Minor Piano Concerto No.1" to carry out detailed study on the creation of great significance.The full text is divided into three chapters:Chapter I: Brahms's life and creation. Section 1 outlines Brahms' background and time in which the course of life; Section 2 summarizes the Brahms works of art career, that is, in the first period, second period, the third and fourth period period of creative and artistic characteristics; Section 3 are Brahms "d Minor Piano Concerto" creative background, introduce the works of creative motivation, creative process, and evaluation in it.Chapter II: The Characteristics of creative techniques of the"d Minor Piano Concerto No.1 ", which is the core of the paper. The adoption of some of the technical analysis of the composer's music works to study the structure of the form, structure and sound patterns, melodic structure patterns, rhythm patterns, and other creative features. Section 1, Musical structure of the work. Three movements are full of traditional music of the classical structure of the framework is the basis of a single presentation of the first movement of the sonata form the Department consists of two or more will be the third movement of the structure of the principle of combination of music, which shaped a unique mixed-edge music, and movement of the latter part of paragraph two LotSynergy music constitute the structure of this music works in the two bright spots; Section 2, Melodic structures. Works in the traditional melody is the basis of a repeat mode and launched into the main development of variations to be innovative methods to form three-dimensional, Polyphony, and nationalization and other unique characteristics of the diversification of the melody; Section 3, Harmonic structure pattern. The works to transfer function of the size and sound system based on maintaining the size of the triad of organizations, and stressed the main center of the dominant chord; At the same time, large-scale use of color and sound of chromatic harmony and romantic way, in this Works to form a unique style and sound; Section 4, Characteristics of rhythms. Rhythm of Brahms creations are distinctive factors Hemiaola, such as segmentation rhythm rhythm of the use of their personalities are a representative of the formation of beat accent displacement also create an important rhythm characteristics.Chapter III: Music aesthetics of "d Minor Piano Concerto No.1 ". The works combines the Classicism tradition of rational structure and the Romanticism era of emotional language, the folk music of simple beauty and personality of its own inward self-examination into one solution, and achieves the classical,romantic,ethnic,blend as the perfectly combinational one of creative ideas with the broad nature. Work in clear-cut heroes and unique style of lyric reflects the feelings of the ideas aesthetics of music, as his half of the 19th century composer of the most unique proud. His music will be art and reality, inheritance and innovation of the times and philosophy of perfect unity, constitutes a music and arts development in the direction of a representative, he is on the development of modern and contemporary art music made by an extremely important.