The Musical Depiction And Musical Aesthetics Thought Of The Han-Wei And Six Dynasties Fu

Fu is a unique literary genre in China's literary history. In the Han-Wei and Six Dynasties period, the development of Fu had been quite mature. The musical depiction occupies a large proportion in the Han-Wei and Six Dynasties Fu, which including instruments, songs, Xiao, dance and musical theory etc. The big feature of musical depiction in the music category Fu is that has the similar continued system and program. The musical depiction in non-music category Fu is relatively fragmented and has not formed an integrated system, however, it often appears in banquets, recreation, hunting, sacrifice and other occasions. The musical depiction of Han Fu gives a great emphasis on the external relations of music and politics, morality, ethics. It stresses the music's social function and role of education. The political indoctrination is lessened in the musical depiction of the Wei-Jin and Six Dynasties Fu, adding to the music of everyday aesthetic recreational function and the elucidation of music internal laws at the same time. The musical depiction tends to be more natural and internal.The musical aesthetics thought of the Han-Wei and Six Dynasties Fu is very rich and multiplex. With sadness is beautiful and with harmony is beautiful are two very prominent musical aesthetics thoughts. The musical aesthetics thought of the Han-Wei and Six Dynasties Fu is affected far-reaching by both the Confucian and Taoist thought, with obvious Confucianism and Taoism origins. On the one hand, the Han-Wei and Six Dynasties Fu obviously inherits the Confucian musical education thinking and highlights the role of political indoctrination, especially the musical aesthetics thought of Han Fu. On the other hand, it accepts the Taoist thought of learn from nature, emphasizing the feature of natural calm and function of aesthetic entertainment, especially the musical aesthetics thought of Wei-Jin and Six Dynasties Fu.