Changes And Development Of Xinjiang Quzi

Xinjiang Quzi, is recognized by the State Ministry of Culture, the only Chinese language local operas in Xinjiang, have passed a hundred years of history, in 2006 the opera was included in the first batch of national intangible cultural heritage list, is the first selection in Xinjiang national intangible cultural heritage items."Xinjiang Quzi series of Notes," said: " Xinjiang Quzi was conceived in the 18th century 60's, in the Xinjiang local minor and Shaanxi Meihu, Lanzhou Drum, Qinghai dry string so into each other and fusion, based on the dynasty formed between." It mainly in urban and rural areas inhabited by Han Chinese, particularly young Aboriginal Ning, the focus in Urumqi, odd sets, Hami, Changji, Hutubi, Manas, Yanqi, Yili and other places of the Han, Hui, Xibe widely sung among families and even among some Uighurs have been singing. But now, the inheritance and development of Xinjiang Quzi but is decaying, which have caused concern and attention.In this paper, Qitai as research points to a major disciplines such as anthropology and folklore theories and methods to field research-based, select a wide range of classes in Xinjiang Quzi popular clubs or individuals, around Xinjiang, the basic tune in the odd situation of Taiwan started the field research, carried out elaborate analysis of sub-chapters: the first chapter is an introduction, discusses the topics of this article's purpose, significance, status of academic research, research areas and the main research methods; the second chapter describes the human environment Qitai , the source of odd Taiwan Han Chinese and Xinjiang Quzi in the history of odd Taiwan; Chapter song from Xinjiang explain the content and features of the characteristics of Xinjiang Quzi; fourth chapter describes Xinjiang Quzi in the Church of Xinjiang heritage in the development of Taiwan show, performers social classes and their inheritance; fifth chapter is based on survey data, spy Xinjiang tune the process of development in the Church emerged Taiwan's culture and its problems; Chapter VI of the above discussion of chapters drawn a conclusion: as a piece of Xinjiang the first batch of intangible cultural heritage items, embodies the people's production and life, ideology and cultural history, is worth exploring, passing the local opera. However, given the inheritance of Xinjiang Quzi now facing development difficulties, we have to ponder the prospects for Xinjiang's development and ways to tune. Xinjiang Quzi how to deal with the impact of modern civilization, the development brought about the plight of the times how to deal with the crisis caused by inheritance, how to deal with people's cognitive limitations and so on would be worth exploring the problem.