The "Liang Jian" And "Li Shi De Tian Kong" As An Example, On The Japanese Television Show That In The Image Of Chinese Soldiers

In Understanding Popular Culture,media scholar John Fiske once described like this:"For a cultural commodity to be popular then, it must be able to meet the various interests of the people amongst whom it is popular as well as the interests of its producers...The more customers one product win, the higher possibility it will be reproduced, and also the more financial payoffs it will get." These explain that stereotype is the road Chinese teleplay industry must take under the environment the film and television combined with the market more and more closely.Although Chinese teleplay has a short phylogeny of 50 years,it develops rapidly since 1958.Information shows that China has become the world's largest teleplay production and broadcast power since reformation and opening…with over 8,000 episodes each year.①(Wu Suling. The Study of Film and TV drama type. Beijing:Communication University of China. 2008.8:10) If that the rise of quality and yield of domestic TV production is the reasonable consequences of the development of Chinese teleplay industry, make a change of teleplay type is a necessary step next.In recent years,theoretical studies on the type of Chinese teleplay which develops very fast belong to a new ground.So we set up a work party of 11 members to study the type of Chinese teleplay, to research the developing type of Chinese teleplay systematically, hoping the results we work out could be theoretical support for the development of stereotype drama and bring active and prodding functions to it. This paper puts the respect on the study of the military themes teleplay, especially on the history of the Anti-Japanese War in those teleplays, and in which by the means of stereotype they have made innovation and breakthrough of the military figures.Playing an important role in stereotype drama, military themes teleplays are called the "Main rhythm" television because their great subjects and special contents.With the close combination with market since 1990s,a large number of hero images of army men with vivid individuality and complicated characteristics have become the classic images in the modern army teleplays.Military television drama has brought disruptions in settled narrative and descriptive patterns,seeks innovation in creating whatever the film language or the typical images,being real art aesthetics instead of political necessity and moral paragon.Now military teleplay seeks innovation through stereotype,not only creates a new crop of distinct characters to meet given requirement of the main theme,but also contains entertainment to meet the market needs.What's more,it makes the figure of Chinese military stereo mix plump rise according with the logic of history, makes it clear that after all a hero is human, so the audiences resonate from the heart when they watch.Chinese military in TV drama is first placed in the position of Chinese people then soldiers with duty and mission.This type of TV dramas views the calamities caused by aggressive wars objectively, and prompts people's sense of responsibility and mission for the whole nation.The paper mainly consists of three parts.The opening chapter gives a general overview of the subject, using Liang Jian(Drawing Sword) and Li Shi de Tian Kong as examples which are made in 2005 to mark the 60th anniversary of the victories in the global anti-fascist, and makes a general comparison between the military images now and before.Chapter two is devoted to a detailed comparison of some typical figures in the drama such as Li Yunlong in our part and Chu Yunfei in adversary part, Jiang Daya and Zhang Mohan, etc.to reveal Chinese military's spirit of patriotism during the Anti-Japanese War.Chapter three describes the transmutation process of heroism.With the change of times, the shaping of hero images gradually returns to humanization from the past idealization, and the writing of heroism turns on the characteristics of being from the idealized writing to being inherent writing.Through the analysis of nowadays heroes writing, we can see that heroism now has rich historical connotation,focuses more on current situation of army life and army men's psychological emotion from a perspective of human concerns.