A Brief Research On Zhang Aizhen And Her Art Of The Tune

Zhang Aizhen since the founding of the teacher is following the Wu Wanzhi, Hao Pinzhi and other Shangdang Opera employ well-known artists performing female roles after the grown up another group of actors on behalf of Shangdang Opera, who is the "Plum Blossom Award", "Gold Record" and other award winners, In 1988, Shanxi Province in 1993, two deputies, the State Council allowance. Zhang Aizhen senior teachers on the basis of inheritance, development and innovation in the female roles in tune Shangdang Opera performing arts, changed the emphasis to health Shangdang Opera, big singing voice, performing rough and loud, while inevitable, there is a simple, rough, singing high, sharp, bombing of the problems, the female roles in the performing arts to promote a new high for the Shangdang operas in modern fast-paced, diverse modes of life and entertainment to find a way out for the Shangdang Opera actively contribute out of the woods out their greatest strength. It is for teachers to master the art of Zhang Aizhen the law must advance with the times, bold reform and innovation in practice, practice caused controversy over active thinking, new ideas also helped to deepen the practice.30 years, Zhang Aizhen teacher inherited Wu Wanzhi teacher of performing arts, but the singing did not stop at Wu Wanzhi art, but by his own experience, combined with their own conditions and requirements of the times and innovation, draw extensively on the local folk songs, Peking Opera, Henan, Shandong dates bang the art of nutrients, done with words and chamber to chamber in your eyes, forming a euphemism lingering, hardness and softness of "Aizhen Tune", thus widening the Shangdang Opera in female roles in the play, and let a style rough more than The lack of Shangdang Opera mildly, into both the high performance of intense emotions can perform Romantic, performance-spoken romantic love drama drama. "Aizhen Tune" in the widespread Shangdang area, whether urban or rural, old fans and new viewers, experts or peers, are blown away, become the focus of attention, their sought-after fighting spirit and art in our time continued to emerge today, a majority of drama for each worker, an opera for every actor, there should be a place to learn. Zhang Aizhen discussion and evaluation of performance art, its evolving in practice, "Aizhen Tune," a theoretical summary of, and be evaluated for its tune features, highlighting her contribution Shangdang Opera, it is particularly necessary.This paper aims Zhang Aizhen the art teacher to do a true record of the road, tune their formation, wound characteristics, issues rules and tune to do some research, text is divided into five chapters. The first chapter Zhang Aizhen teacher road of art to the detailed records of its ability in Chinese opera arts on the road growing cause, highlighting their arduous struggle spirit of the opera art of firm belief and pursuit; second chapter is Zhang Aizhen teachers to introduce on behalf of repertoire, listed in three plays represent Zhang Aizhen teacher quality across the three big step, every step across all display "Aizhen chamber," the progressive development of the course; third chapter in the understanding of the development of their artistic life and Tune track based on the new teacher induction Zhang Aizhen law wound Tune resonator for the learners and the Tune Arts Shangdang Opera left a valuable asset, the fourth chapter summarizes and concludes, "Aizhen Tune" and features singing, through the new Tune created to the tune Shangdang Opera reached a new milestone in the arts, highlighting her contribution to the art Shangdang Opera; last chapter a brief summary of the text, and to Zhang Aizhen on the Shangdang Opera process of historical development, its contribution to position.