Study Of Zheng Music Yang Guan San Die In Ancient Score Xian Suo Bei Kao In Qing Dynasty

Up to now, ancient music scores ,Xian Suo Bei Kao , which had been compiled by RongZhai who was Mongolian scholar and lived in 19 Jiaqing (1814) of Qing Dynasty ,can be found the earliest music scores of Chinese zheng recorded by Gong Che Pu in the history of Chinese music .The subject's excavation and research can fill the gap of the zheng music heritage .One of Zheng scores Yang Guan San Die, which has been recorded by Gong Che Pu ,is Xian Suo zheng solo with a unique artistic style .The subject adopt the diachronic and synchronic study within the chinese traditional music, Yang Guan San Die in ancient scores of zheng Xian Suo Bei Kao in the Qing Dynasty range and analyse and study from the shapes of musical instruments, playing forms and the works of literature discusses. Diachronic study mainly explore historical position,development and change about Yang Guan San Die. Synchronic study include the relation between the cultural phenomenon and structure of literary musicl zheng scores and the national life and culture. Firstly ,analysing, in brief, which zheng's tone setting ,performance techniques and the background of literary music in the Qing dynasty affect the aesthetic taste of zheng music from the preface of Xian Suo Bei Kao,establish the significance of argument and exploring direction;Secondly, further clarify the importance of historical origin about zheng instrument song Yang Guan San Die through it's poetry, qin, zheng , a regular source of music,the analysis of music ontology song structure, compare with the same name as the qin music Yang Guan San Die .Thirdly, the existence of the artistic form value is found from the aesthetics of zheng music Yang Guan San Die and understood fundamentally its heritage significance and the possibility of development, so as to establish the historical status of this work.Accordingly, the paper concluded:1,Zheng music Yang Guan San Die in Xian Suo Bei Kao is a structure clear, aesthetic and deep meaning zheng solo.2,The eleventh zheng music Yang Guan San Die in Xian Suo Bei Kao and qin song Yang Guan San Die in Qian Xue Bei Yao have a same name , but no direct relationship between homologies.3,Zheng music Yang Guan San Die in Xian Suo Bei Kao, of which the unique style of zheng's performance and unique techniques have high performance and appreciation value, is one of typical literary zheng music. 4,Zheng music Yang Guan San Die recorded completely is the one of rare Yang Guan San Die series scores and expand the possibility of the artistic study on the series of studies and made up for such studies that there is no record of zheng music .In summary, zheng music Yang Guan San Die in the ancient music score Xian Suo Bei Kao in the Qing Dynasty, which retained a version Yang Guan known to us , is the rare treasures in the development of traditional musical arts and one of a unique model literature to study such works . The aesthetic essence of classical music in china is reflected , While the cultural character and historical value of the Qing zheng music art is demonstrated.