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Feel, Feelings, Feelings - A Shortcut To The Actor's Role

Posted on:2013-06-25Degree:MasterType:Thesis
Country:ChinaCandidate:K ZhengFull Text:PDF
GTID:2175330395484402Subject:Drama
Abstract/Summary:PDF Full Text Request
This article is aware of the theatrical performances of today’s status quo,analysis towards the role of different shortcuts.Strong emphasis on theimportance of "feel" and "feel", and "perception". Through understanding,imagination, observation, sensibility, expressiveness, which is the actorshaping the role of the fundamental conditions, the so-called "personalfeelings. Performances as dramatic an important element in their characters toemphasize the importance of creating plays, reflecting the approach ofunderstanding of the drama itself. The direct carrier of the actor as the dramaitself, the lines, shape, elaborate story through action, compared to the scriptlanguage as the carrier indirectly endorsement body storytelling, more naturaland original ecology. As Aristotle said, the action is the dominant theater law.The combination itself is the as the actual conditions of the performanceof teachers to understand and analyze the actors (students) a commonproblem in performance creation, theory and practice of combining truly havethe ability to guide the actors (students) closer, deeper towards the role.
Keywords/Search Tags:Drama, feeling, imagination, observation, expression, elements
PDF Full Text Request
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