| "Yang asha epic" is the representative work of miao love epic, which has beenlisted as the second batch of national intangible cultural heritage protection. It hasbeen a long time that the epic spread in the miao people with oral form, alsocontinuously developing and variating in the process of repeatedly singing ofgeneration singer,still inheriting in today. Therefore, this article aims to using oralformulaic theory and analysis method of literature, cultural anthropology and folkloretheory and methods are introduced to the specific "Yang asha epical oral traditionwhich based on predecessor’s research. In order to to provide a new space fordiscussion and reference point of view on miao folk narrative poem.This paper consists of introduction, text and epilogue three parts.The introduction part, mainly expounds the research status about the Yang ashaepic, research methods and ideas, and the reason for emphatically studies on the Yangasha epical oral program characteristics.The first part, comparing four derivatives theme of "Yang asha". At the sametime classifying the motif in the content of the theme, so that to observing the stabilityand variability in circulating process of the Yang asha.The second part, is the analysis of Yang asha narrative words program,discussing the characters, numbers and behavior program, and sums up how they weregrasped and used by singers.In the third part, through the analysis of text,discussing the rhythmprogram inYang asha narrative epicThe fourth part is the analysis of Yang asha epic choreographing program,which mainly discusses the singers’ performance modes.Conclusion part,summarize the conclusion and point out the shortage of thepaper.Innovation point of this article mainly in three aspects:first, analysis miaonationality folk narrative poem "Yang asha" by using the "oral formulaic theory",which has made up the oneness "Yang asha" narrative research in the past, alsoprovide a new perspective in the study of miao folk narrative poem.Second, throughthe analysis of text, focus on the operation mechanism of creation, performance andinheritance of stylized in "Yang asha" narrative poem, to explore and comb the oraltraditions behind the text. Third, by the rearch of "Yang asha" narrative text in the same traditional to insinuate the tradition in miao epic. |