| Since modern "four monk" at the beginning of the qing dynasty painting has been the modern literati like the research object, the four monk landscape painting conveys the humanistic feelings, has also been closely watched. But in the study of the past less research about their thoughts. This article selects four monks are typical over to do a case study.All places, all is a benefit; The world often for reward. For interest, and enthusiasm. Between Ming dynasty and early qing in the traditional generation under the historical background of truly give abandon, not many people, over is no exception. In his extremely high artistic achievements but also reveal the secular thoughts, miserable life, real anguish relief by means of painting, made over the part with the world of mortals and possible, and the power of them have become over the way of their feelings. Since the late Ming dynasty landscape painting creation reached its climax, of landscape painting during this period compared with the former generation of landscape painting is not only a subject innovation, pen and ink, more is at the time of the historical background under the drive of literati spiritual and ideological transition. Painting is his heart to cross over, on pain of national subjugation, the feeling of grief. His heart is not free from vulgarity people, is a man of strong emotion. Become a monk, on the other hand is also in order to keep his life, forced by the situation, the real heart and don’t want to do the monk, he wants to change his life in his bones. This article from the thoughts of over, transformation and innovation, elaborates on the sections of and research.The first part from the time between Ming dynasty and early qing general overview on the historical background and over the life of an introduction. Through these two points lead over the causes of the secular thoughts.The second part tells about the alternation of thought over the life looking for secular thoughts from over the idea of gradient of shadow. From experience, outing, painting a few aspects, mainly discusses the reasons and the secular thoughts over the secular thoughts.The third part discusses over the secular thoughts embodied in in painting, poetry, inscription. And pass over the welcome I and q reward from the thought to do in-depth research of the royal, analyzes the concrete embodiment of the secular thoughts.The fourth part summarizes the full text, sums up the over the secular thoughts and extension. |