The Eastern Expedition Of Shaanxi Army From The Perspective Of Regional Culture

In1993, five writers named GAO Jian-qun, CHEN Zhong-shi, CHEN Hai, JIA Ping-wa, JING Fu in Shaanxi literature carried their works to Bei Jing:The Last The Huns, White Deer Plain, Love Fate, Deserted City, In The Eight Lakes, which caused widely attention and ardently pursuits from readers. these five works were extremely boom, critics called this phenomenon as "Shaanxi crusade". One important reason why these works were got attention by many critics is that the works themselves permeated the regional culture identity of Shaanxi. The writers of "Shaanxi crusade" basically are all "living in city but from countryside", natural scenery, local conditions and customs naturally becomes to theirs objects which highly depicted. Regional research always is a important section in Chinese literature research since antiquely. On the one hand, personality, aesthetic taste, the artistic methods of Shaanxi writers have close relationship with regional culture, hence the culture phenomenon of "Shaanxi crusade" can extrude the characteristic of Shaanxi writers, increase the limit of Shaanxi literature. On the other hand, traditional regional culture brought Shaanxi writers success, meanwhile brought kinds of drawbacks, which leaded to fatigued and weak. Therefore, we ought to exploring a new spiritual succeeding way on the basis traditional regional characteristics, makes Shaanxi literature re-owned in the whole Chinese literary circle.From the regional culture aspect, this dissertation analyzed the phenomenon of "Shaanxi crusade" roundly, summarized the creation law, from one hand affirm the characteristic of Shaanxi writers, and reveal the insufficiency of theirs works on the other hand, at last, give personal comment on the problem that how to overcome the bottleneck. This dissertation is seperated into six parts, the first part is introduction, mainly introduce the background and investigation status of "Shaanxi crusade". The second part mainly discuss the regional culture’s impact on life construction for writers, including personality, sentiment, art character these three aspects. The third part expound the regional culture and reader’s reception psychology, including local reader’s self-identity and foreign lands novelty-hunting psychology. The forth part is discussing the regional culture in works, respectively from The Last The Huns and Northern Shaanxi regional culture, White Deer Plain and the central Shaanxi culture tradition, In The Eight Lakes and Southern Shaanxi regional culture, Deserted City and Xi’an culture. The fifth part is "regional barrier" of Shaanxi writers, which are depicted in two parts called one-tracked culture type and traditional creative. The sixth part is conclusion, which points out the drawbacks in the writing aspect of Shaanxi, and give some suggestions to get out the bottleneck for Shaanxi writers.