On The Narrative Style Of Ning Hao 's Films

In recent years, the market of black humor in china can be seen from the box office of Ning Hao’s movies. The dispute through Ning has never been ended since the movie“Crazy Stone”appeared. And the arguments even grew overwhelming since the release of the movie“Breakup Buddies”. The native Chinese movies have been seeking for a combination of the economic benefits as well as the artistic effect constantly to face against the current situation of the swelling Hollywood movies. However, things aren’t always grow perfectly. Are Ning’s movies still hold by his initial truth and contents? Is Ning turning towards commercial or persevere in literary? How can the Chinese initial movies fill their connotations up? All these issues above are worth considering, researching and analyzing.This thesis is based on the issues above and the current situation of Chinese movies. To acquire the drawbacks and the methods of develop Chinese literary film-making connotations,the summarization and research of Ning’s movies were made through the analyzing of the two aspects-- shooting style and the value of contents. Firstly, analyzed the narrative languages in Ning’s movies, it can be found that the using of the shooting techniques, whether the light or the scene, are standing for the facticity of the movies. The third part of the article is the explorations and elaborations of the existential aesthetic style, which performs a further explanation to the philosophical connotation in Ning’s movies. Finally, the depth exploration of Ning’s success in the box office is shown. And the summaries of the research together with the current situation of Chinese movies will be given next. Subsequently, there is periscopic view to the future development.It is not that difficult to come up with the conclusion through the research that there is a far way to go for Chinese films. Whichever ways to choose, it should be remembered that film is a kind of art, whose commercial aspect can only based on its artistic quality to make movies developmental instead of becoming an obstacle to the development of Chinese films. If Chinese movies want to have its own foothold on the film market, it is significant to explore the artistic of the films while maintaining its authenticity and popularity. The important guarantee of both the artistry and the authenticity is to implement the filming conduction on the philosophical level,and let the philosophy becomes the basic guidance of film-making. Seeing from the Ning’s success in box office, it’s more crucial for us to explore the reasons behind the success. The ultimate goal of the research is to see the inadequacy and the shortage which needs to be covered in Chinese films through the analysis of Ning’s success in dramas. The research of Ning’s films should not only done superficially or conduct from the unilateral, but conducted research fromthe shooting style and the connotations aspects. Thus, the beneficial methods and conclusions for the development of Chinese film industry can be made.