A Study On The Music Structure Of Performing Concerto

Concerto as one of the important music genre in the history of western music, itoccupies an important position. Since the20th century, with the changes of the times andthe mental state of individuation in the human world, composing methods are constantlyinnovation, It also led to the concerto gracious principle, structure, thinking constantlymutate.This article explains the theme of "expressionist concerto music structure thinkingresearch", As a result of the main characteristics of traditional concerto in music structureon performance for the first movement the application of the sonata form structure. thus,this paper in order to "twelve pitches sonata music structure thinking" as the center, Andfrom the work sequence structure mode, the relationship between the pitch material,music structure, explore thinking expressionist concerto structure that shows the maincharacteristics and the overall music structure characteristics.Based on this purpose, this paper is mainly divided into the following chapters andcontent to illustrate the problem: The first chapter, briefly reviews concerto genre of thebasic principles and characteristics of music structure and historical change. The second,three, four chapters through the empirical analysis of the expressionist important concerto,to find the different characteristics of the different composer concerto expressionism andrunning principle, to reveal the expressionism concerto structure principle andcharacteristics of music. The fifth chapter is the concluding chapter, that tries to establishthe twelve-tone music works above pitch organization, on the basis of microscopicstructure, by looking for "sequence" movement track, to find a large concerto, the twelvepitches serial music works of the overall structure and function of "played structurethinking" and other structure mode of thinking of creative thinking, in order to summarizethe basic structure of the European expressionist concerto the main characteristic ofthinking, look at how expressionist composers create large works of twelve-tone series.Therefore, this thesis has the following three aspects meaning: first, the basic cananticipate expressionist concerto structure features of this important music genre, andtheir way of the inheritance of traditional music structure, methods, and tries to present aclear development history.Second, objectively, for our country music analysis subjectabout the development of the expressionist concerto provides a beneficialsupplement.Three, for Mr Yang Ruhuai edge buckling theory of two principles combinedwith the edge of the form, for further exploration.