On The Combination Of Dance Props And Emotion

"Props" is silent actor on the stage, and poured out the human body behind to the viewer covered by emotion and consciousness. Put the stage prop in a limited amount of space, the feeling of space because of its existence and change, the emergence of the props will originally into the space occupied and empty stage, and derive a series of meaningful space, become a part of the dance."Props" in the dance work has through the function, function, extending function, the point enhance expressive dance, create a dance imagery. Creative in the choice of it and set up, often test and choreographer unique examination on the work starting point and macro grasp. Even if is a very common and ordinary small items, if director will use its reasonable design, and in the dance work gives its unique meaning and means, give full play to the stage effect of props, so that it can supplement the shortage of language, allowing it to more clearly convey the intentions of dance, also can bring the audience shine at the moment of experience. How to balance applied well in the work of props, seemingly details, but it is the touchstone of test director creation capability. As choreographer in writing for the use of props, not stick to one pattern to make props has more functional.In a lot of sense, props is no longer the traditional stage of "content", and more like a have a soul "narrator", but can be said to be the silent witness, only the fate of the characters and vent the mysteries of the mind, through which the audience could see the character’s mind.*in the dance of "props" in addition to rich body language composition at the same time, more to strengthen the rhythm of the body state of mind, with his body language to the audience silent narration dance works of those people, affection and things. In this paper, aiming at the problems in the modern dance props creative, with director should be more than a "thing" righteousness-the use of props to promote emotion;-set up as the "content" valentine items through emotion; By the "content" model-through the props points to emotional problems, such as analysis, argument. Through discussing how dance in the creative profound understanding of the properties of the information carried by the links with the emotional expression of props in attribute,"inside""outside" of ontology in qualities and "within" and "outside" accurate fit in the above three aspects, such as emotional thinking, so as to demonstrate creative director in props dance to skillfully by its a helping hand, emotions and to in-depth excavation not only master props can be used in the present, and to do in the "limit" of props to v, and the advantage of this limited into writing. Requires creative director of cultural roots in the review, selection of props material design, the theme conception of ingenious use germinal, reasonable technical skill and so on various aspects have macro grasp and understanding.