The Expression And Aesthetic Value Of Light And Shadow In Chinese And Western Paintings | | Posted on:2016-07-21 | Degree:Master | Type:Thesis | | Country:China | Candidate:M M Li | Full Text:PDF | | GTID:2175330470453612 | Subject:Fine arts | | Abstract/Summary: | PDF Full Text Request | | This paper focuses on the performance of light and shadow in the painting and theaesthetic value of the main line, combining Chinese and Western painting in different timesand cultural background, the difference of light the way of expression, interpretation of "allthe problems of painting is the proposition that the light".This paper consists of six parts:The first chapter is the introduction part briefly expounds the selection of the topic andthe research significance of reason.The second chapter embarks from the domestic and foreign about light painting languagein different forms, the trend in research on comparison made light of Western painting in theresearch and the research status and development analysis.The third chapter in European painting master of classical works as an example, toexplore the mysterious charm of classic light. This chapter mainly introduced from theclassical painting to Impressionist paintings of this period, evolution, oil painting color systemfrom the solid colored to conditional color leads, painting language and style of thealternation of schools without light and the direct or indirect relations.The fourth chapter expounds the effects of light and shadow is the color language how toact on the paintings in the. The relationship between the first section mainly from theperspective of natural science analysis of light and color, light and shadow effects on thepainting language in the various made elaborate. The second section focuses on the angle ofpainting light and shadow in the analysis of paintings in the form of expression, as well as thepainter of the expressive intention is how to use light to achieve. The third section discussesthe importance of the language of painting light and shadow, and make a brief discussionabout the significance, and the solution to light the important position in the painting in the.The fifth chapter explains the creation of personal views and traditional oil paintingdrawing language essence inheritance, show outstanding painting is not only a replica of thereal scene, a photo, but has the product of art emotion and spirit pursuit. | | Keywords/Search Tags: | light, box, chiaroscuro, pan classical, Impressionism | PDF Full Text Request | Related items |
| |
|