| Kim Yujeong(1908-1937) and Mo Yan(1955-) all take very important positions in the history of modern literature of China and South Korea, and they also created many classic work. Kim Yujeong only takes three years to create, but his works have greatly promoted the development of modern Korean novel. Kim Yujeong’s works often adopt the traditional people’s humor and lyric style, and through various local sayings of the Korean people to dig deep causes of the life of the poverty, reveal the darkness of society. Not only is Mo Yan a person who with the arrogant male and a powerful and unconstrained style, but also with the "evil effort" that based on inheriting the traditional and breaking the traditional deliberately, his works are developed through the integration and infiltration of Chinese and foreign novels, so they have the unique style of novels. Mo Yan grew in his hometown-Gaomi Northeast Township, by narrating the story of his hometown, he performed the Chinese spiritual world perfectly, and we can see that Mo Yan’s concern to China popular people in the folk. Mo Yan won the prize award Nobel word with "magic realism and folk tales, history and contemporary society together", and the event he won, which caused great controversy in the China literary world, "Mo Yan tornado" also swept China literary circles. The award words summary of Mo Yan’s creative spirit, artistic temperament, work style and his important position in Chinese contemporary literature. Although the two writers’ literary creation and aesthetics of different, the views they expressed are very similar, which adopted the cause and motivation of aesthetic value are similar. In view of this phenomenon, the author finds that the theory of cannibalization novel and Bakhtin Kim Yujeon g and Mo Yan. There are many aspects of the agreement and confirm, the carniv al theory is the theoretical basis of the most appropriate.Carnival Poetics is the famous theoretical system of the Russian literary theorist by Bakhtin for many years of painstaking research and elaborate architecture. It is an advocate of permeated with the carnival spirit of view literary concept, literary history and new research methods. Carnival of the content is extremely rich, outstanding performance in the literature is that it finds and reveals the unique artistic principles of Carnival Literature:new artistic thinking to see the world, Carnival eyes upside down to see positive, negative watch; bright directivity for higher level, the authority of the language, the style, genre, the "fun" sense of superiority, they shake their authority and absolute level; the lower literary revolution in manufacturing the official culture belittle characters, as a clown, fool, cheated. Play a special function; a unique approach to hybrid, different languages, different styles. Not only does the carnival theory enrich the human life experience, but also put the "literature is to enhance learning" theory to a new level, the analysis of the universal significance and value of literature on human life. Carnival Game, different from the conventional human life, in the carnival of the literary world, people take their ease language and behavior, life in accordance with the illisionary ideal way, let the life bloom in a natural and social burden without restraint of the true state, for the existence of pure, and feel joy, this is the essential meaning of carnival.Parallel study method of comparative literature research methods used in this paper, based on Bakhtin’s Carnival Theory, attempts from the folk stand point, "crazy" and "silly" Carnival characters, the vulgar language Carnival, these three aspects narrate Kim Yujeong and Mo Yan’s creation of tacit understanding, study characteristics of the two works. Not only does this paper explore the Carnival features of folk perspective, two authors showed in his works portray the characters and the use of language is the main reason, also sought to explore two novel Carnival features and formation of the carnival literature significance. This paper is divided into five chapters:The first chapter is an introduction. First of all, present the current research situation of Kim Yujeong and Mo Yan’s domestic at home and abroad, and on this basis, put forward the research purpose and research methods of this paper.The second chapter is the intrinsic link of Bakhtin’s Carnival theory and Kim Yujeong and Mo Yan’s work. Discuss the meaning of Bakhtin’s Carnival theory and the comparability between Kim Yujeong and Mo Yan’s literary in the sight of Carnival theory.Kim Yujeong and Mo Yan at different times and in different regions, different cultural backgrounds, but seeing the two people work, they are just to bash observing the world through the eyes of a private cultural, which undermine the traditional authority of civil values and made people fees liberated; Clowns, fools is the official culture lower edges of characters and the female and male-dominated society away as the novel’s protagonist; From the intake of crude language, making their novels with a Carnival-style. These writing Carnival and Kim Yujeong, Mo Yan’s works have striking similarities, but also for the comparative study of two writers provide comparability.The third chapter is the carnival feature in the novels of Kim Yujeong and Mo Yan. Mainly a combination of specific works of the folk values, people, Carnival, Carnival revelry characteristics in these three aspects of language specific performance.Section Ⅰ civil standpoint of view. Kim Yujeong of the people writing in, and Mo Yan’s ’as people write’ concept reflects the folk-oriented attitude. And appeared in their protagonists in the world of art is always either mainstream or marginal figures, and in the language of the people, for which constitutes the novel’s narrative, in Bakhtin’s theory, which is the Carnival folk culture theory in the theory. Bakhtin’s Carnival theory explains that Carnival is the unofficial culture is through the collective characteristics of people, undermining traditional authorities and let the masses feel the thrill of liberation.Section Ⅱ is ’crazy’ and ’fools’ Carnival characters. This section Kim Yujeong, Mo Yan works in the theory of marginal characters and Carnival links to compare. The characters in their novels, mostly abnormal characters in the normal community, these characters are either crazy or stupid, or crazy way of thinking, not common sense, illogical. Kim Yujeong, Mo Yan passed away with the official community of females and two kinds of fools images effectively analysis the Carnival characters, reveals the world of the other side. Carnival characters subvert the official traditional with "high, large and comprehensive" figure, created a stage for Carnival scenes sentient beings. Meanwhile, in the characters’faces difficulties, the party became a survival strategy.The Carnival is vulgar language in section Ⅲ. Bakhtin’s Carnival theory to compare and interpret Kim Yujeong, Mo Yan’s works in the language. Bakhtin believes that the novel’s history and the history of the language are necessary for context, analyzed the role of fiction and language. The language used in the works of authors in their literary, in depression and the dark reality of life for the people at the bottom, is a comfort in life and struggle with reality weapon, built a relatively liberal utopia kingdom.The fourth chapter is Kim Yujeong, Mo Yan Carnival features of Genesis. From their personal experience, social background and gifts of traditional culture, the influence of foreign literature which discussed their reasons for forming Carnival temperament styles.First is the turmoil of the era. Kim Yujeong lives of 1930, the Korea Japan imperialist aggression is the worst, completely dominated, politically and economically, the survival of ethnic minorities has been a major test. Mo Yan at authoring time, China is in a period of the cultural revolution, the political chaos, the people don’t get enough to eat, even the right to speak freely is also nearly free, the social environment is very dull and depressing. Secondly and from personal experience with, Kim Yujeong succumbed to tuberculosis, depression and so on, suffering from the onset of problems, and life is very poor. Mo Yan also very physically weak as a child, childhood memories, full of hunger and loneliness. In a word, Kim Yujeong and Mo Yan both from personal experience and is in the background at the time, didn’t escape the hard realities, nor pessimistic to negate the whole world. So that they coincide with the philosophy and Bakhtin’s Carnival world view. Kim Yujeong and Mo Yan through critical realty and wanted to change the dark society, which characterize the Carnival world. Once again, their Carnival characters that appear in the novel are also under the influence of their traditional culture.The fifth chapter is the last word. To summarize the papers, stressed this article view again, thus illustrating the art Carnival as a special way of thinking literary significance.Korea writer Kim Yujeong and Chinese writer Mo Yan in literature field aspects made has brilliant of achievements, they unique of Carnival thinking reflect in creation makes works has form of open and meaning of rich, novels to Carnival of way or narrative alluded to modern social phenomenon, in Carnival principles established up of fictional discourse world and reality institutionalized of survival world formed has sharp of control, for readers provides has alternative of survival experience. It can be said that Kim Yujeong and Carnival character of Mo Yan’s works led to the healthy development of Sino-South Korean contemporary literature, literary characterization under the traditional system routines for a deep correction, the institutionalization of language and subversive the narrative mode is changed. In 2012, Mo Yan won the Nobel Prize for literature in particular, can be said to his literary style has a global impact. |
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