A Study On The Adaptation Of "Regeneration"

"Zaishengyuan" in Qing Dynasty is a prestigious Tanci works. Tanci and opera seems to be two different art categories, but in the "recycled" combined, for storytelling, "recycled" research, for a long time, everyone’s eyes or more concentrated to the original text, and for theatrical circles of adaptation of the popular and in the folk widely familiar, did not arouse people’s attention. Therefore this article in view of this phenomenon, from "the regeneration margin" the opera adaptation obtains, has the comprehensive and objective research to "the regeneration reason" in the traditional opera domain influence.In addition to the introduction, this paper is divided into four chapters, the first chapter is a review of the present situation of the "regeneration margin" drama, which is divided into three sections. In the previous two sections through different media of drama opera and drama television series of "recycled" opera adaptation were summarized, including drama opera as the most common adaptation modes, differences in the region and space, the level. The third section analyzes the opera adaptation of popular, because of talking and singing literature style attribute, original and drama art commonality, and in the folk audience widely makes other art forms adapted to become possible, and popular in the field of opera is very wide.In the second chapter, from the perspective of the art innovation of Chinese traditional opera reorganization, the chapter is divided into four sections. The first section from the stylistic changes to the script writers talk about art change, discussed respectively from the form and capacity. The second section is about the change of the plot structure, which is discussed in the paper, which is based on the three different patterns of inheritance, change and deletion. The third section is the characters of adaptation studies, respectively from the original text and works adapted from two aspects of the characters are analyzed, the concrete of main Menglijun, minor characters Hanbing character, The king and Suyingxue to do the analysis, where the protagonist Menglijun as a top priority. Fourth section from the original works and the adaptation of the works of art writing techniques were analyzed.The third chapter is from the ideological connotation of "recycled" opera adapted started on the analysis, the first day the most adapted the elimination of the plot of the Shinto reflects the new era of the new thinking. The second section from traditional and anti traditional point of view, on the original and revised the makes a specific study, the third section analysis of the original and revised the tragicomedy factors, for the original reunion show, the tragic ending were thought to analyze.The fourth chapter discusses the consists of more than two hundred years ago the Tanci works opera adaptation of practical significance, divided into the aesthetic and social significance, aesthetic significance through reading call to the traditional culture and the aesthetic stage stereo presents two aspects is described, dates back to the social significance of female price from the era of the original value, today’s women value display and expectations of women of the future way out three aspects to carry on that modern women in modern social status is yet to be improve the conclusion.