Buyi Wax Printing Craft Succession Of Communication

Buyi wax printing craft, many national traditional Chinese handmade a bunch of wonderful work of art, is also the perfect combination of national people’s diligence and wisdom. Is the ethnic people in long-term production and life experience and technology accumulation, in the form of a unique show with its own unique historical value, cultural value, ornamental value and practical value, quite popular. Buyi wax printing craft experienced by Jane to numerous, from coarse to fine, from low level to high level of development. Finally today, with unique craft exotic flower in the altar of the national technology. And formed its own complete process system. However, with the social and economic progress quickly and culture is plural form also subsequently and gradually, so the batik art suffered serious impact, and its development also has never had a challenging.Batik industry highlights the batik art forms, patterns, the craft is falling behind. Many wax products on the surface is minority traditional features, but most of the wax printing products decorative material just blindly imitate the style of traditional batik art style, even the most product wax painting brush strokes than a traditional dress painted batiks pieces on the delicate and exquisite; Some wax printing grain rough, too old man or animal motifs in information era is not only a lack of fashionable originality, also do not conform to the contemporary people’s aesthetic taste, the serious influence and restrict the continuation and development of this ancient art form. This thesis is selected is known as\"the hometown of batik\" guizhou zhenning Shi Touzhai as field research object, combined with the culture of buyi wax printing, the study of its inheritance and innovation of media communications. The full text is divided into four chapters. Article at the beginning of the introduction part, including the research background and significance, research review, research methods and their implementation; The first chapter the origins and dissemination of batik, including definition of batik, spreading way and spreading scope; Chapter ii buyi wax printing craft of fieldwork, the general picture of Shi Touzhai, Shi Touzhai wax printing production, style, and use, Shi Touzhai batik development present situation and the culture connotation. The third chapter of the development of the buyi wax printing craft and value, this paper discusses its formation, development and evolution, and to explore its value, including culture, practical, aesthetic and commercial value; The fourth chapter the communication thinking of the inheritance of buyi wax printing craft, also is the focus of this paper. The author from the aspects of disseminator, audience, communication channels to do this, and combining the batik own existence problems trying to make a related Suggestions and countermeasures.In the rapid development of modern science and technology today, the ancient batik art is showered with modern life style and aesthetic concept, replaced by chemical dyes, wax printing craft under threat. Batik exist in the development of the new era of difficulties and challenges, the modern economic value, cultural values are gradually assimilation of national culture and national consciousness. This is necessity of historical development, how to look at the traditional national culture, how to inheritance and development, how to turn the traditional pattern representation of the contents of its unique technology, and there is no utility and the profound cultural connotation of ascension, we still need attention and efforts.