| This topic is focusing on studying the performance form of Stravinsky's ballet: "The Rite of Spring". The article was written began in the study of the techniques of the work, and raised the masterpiece of modern music of the 20th century. It was created by using the combination of modern and traditional the performance techniques. At the same time, this article combines the background of the themes in the play, comprehensively, in-depth analyses these two performance skills of the play. In the end, the article also combines the social conditions in Russia in the early 20th century and studies the important impact on the play creation which made by the social reality and artistic ideas.In the process of expounding, it was not only limited to analyze the technique, but also research the concepts of the religious ceremony which of special original in "The Rite of Spring" content of the play. And I attempt to analyze to musical performance form of the play comprehensively and depth.In the conclusion, to the problem of combination of the subject of original religious ceremony and the traditional and modern techniques in "The Rite of Spring", I point out that the subject of the original religious ceremony was not only come from the complicated history of status quo, and was also influenced by the art ideas. And thus ballet "The Rite of Spring" was not only considered to have special musical techniques, but also have deeply social significances.The guiding ideology of this article is to analyze the performance of the original religious ceremony in ballet "The Rite of Spring", including two aspects:for one thing, the performance form of the traditional music in "The Rite of Spring", which was used to express the scenes and dance in the ceremony. On the other hand, the performance form of the modern music in The Rite of Spring", which was used to describe the rude, wild and non-human in the ceremony. |