Sex The Way Of Salvation, From Boosting To Disillusionment

Entering into the new era of feminine literature carnival, Zhang Jie, a guider of the new era of feminine literature, takes up the banner of feminine liberation, describes females' life, focuses on the survival situation and survival value of females. She turns the most contemptible concealment in the real life into a grievous call, presents a arduous journey of women pursue an overall liberation, and creates a double world which not only shows the color of idealism, but also embodies a sharp critical spirit. To see from her works, such as "Love must not be forgotten","No words", "Known in",Zhang Jie talks about love from many perspectives, it seems that she doesn't away from love in her life, but she never closes to love. She has been thinking and exploring the secret of love in her whole life. From her works, we can see Zhang Jie's different opinions towards love, from an earnest call to love, to despair and absolutely abandon of love. Zhang Jie's exploration of love experiences a process of construction to abandonment, which reflects the deepest emotional experience of females. This emotional experience is a true feeling of an idealist come back from fairy tale to real life. Zhang Jie chooses the stage of love in her works and shows her unique opinion of love through different performances of men and women in her works. After a deep analysis of Zhang Jie's representative works, we can see a complete process of Zhang Jie's love opinions:perfect pursuance, perplexed query, ruined overturns ideal deconstruction and faint abandon. We can divide Zhang Jie's literature career into five longitudinal periods according to her change of love. To analyses from the angle of breadth and depth, a brief track will presents before us:from a keen expectation to a despair deconstruction and then to a gentle abandon, which deeply reflects Zhang Jie's heart journey from "love must not be forgotten" to "I hate men".The change of love opinions will definitely affect the trend of Zhang Jie's sex redemption. Through the contrast of the image of men and women and the change of their mutual relations under the angle of sex redemption, we draw a conclusion that in Zhang Jie's works, her opinion of sex redemption experience enthusiasm to disappearance. Females, such as Zhong Yu, Wu Tong and Yin Mei in Zhang Jie's early works enjoy love, receive respect and realize their self-value. However, Zhang Jie expresses her despair to the redemption of love in her work "No words", where the heroine Wu Wei spends all her life towards love but receives nothing. In her recent work "Known in", Zhang Jie points out that love is only a landscape in the distance and it is difficult to search love, which reflects Zhang Jie's abandon to sex redemptive love.During thirty years' searches for self-redemption of women in the dilemma of tradition and reality, Zhang Jie's effort is full of hope, although the path to sex redemption is failed; it presents her consideration to women liberation and it is also a meaningful exploration of women's self-value on the context of multi-civilization. Readers are moved by Zhang Jie's frank personality, sincere sentiment and tough persistence. We hope that one day it will be something like Beauvoir's words:In the future, women will love with her strength instead of her weakness; not to escape from herself, but to discover herself; not to depreciate herself, but to show herself. On that day, love, no matter to men or women, will become the fountain of life, other than the dangerous fountain of life.