| Nowadays,with the technological development of new digital or electronic tools,there come into being some sensory and psychological experiences which are worth probing into and going behind.Starting from the creative motives of the picture case in 《New Youth》,this thesis explores new experiences of contemporary visual art and put forward doubts about logos of these tools,based on individual thoughts and research.Many people merely rely on new techniques as tools to achieve the forms and patterns that can not be attained through traditional technological instrumentalities. However,they still express antiquated passions for human culture or the so-called poetry in ordinary life.They can not grasp the extraordinary experiences and qualitative change in expression which are due to some functional properties of these new tools or techniques.The so-called "new" can be divided into two categories:one is to put forward individual viewpoints and thoughts without parallel in history;another is to elucidate and interpret present cultural phenomena or topics from a completely new angle of view,trying to find out intrinsic laws among objects,categories or branches of learning,grasp keystones of activities and conducts,and comprehend significance of new contemporary knowledge.From the digital and lingual characteristics of a network-originated code ,this thesis adopts the latter "new", and under the circumstances of potential cultural influence elucidates the new visual experiences in current consuming society. The purpose is not to discuss the problem of "who dominates whom and who affects whom" between logos and geist,but to look into the possibilities of essential conversion in some aspect of this specialty, from a new angle of view and under the circumstances of contemporary culture. We can then turn over to think the development of contemporary society,maintain the psychological distance with technological culture and current fashionable culture, and be alert to the loss of criticisms on human culture. |