Poetry, History, Love, Mirror,

Film biography, a special film of genre with a long historic tradition,profound aesthetic particularity and stong vitality during the whole development of cinematics. With the perpetual art exploitation, this special kind of film which will become the artists' richful headspring who are practicing the art creation. China has a centuries-old historic tradition and heroes come forth in great number. The profound literary tradition of history - biography and production of saga will further provide the firm basic and abundant mineral resources for the film biography's development.As we well known, the judge of film biography does not leave the auctorial art style and consciousness of main body himself. If you want to appraise certain biographical author oberjectively,you must put the person in a large age-background and environment. Only by this way can it embody different authors deep realization and original view to the various historic character. The aim of this article is to take apart DingYinNan the nuclear director of fourth era's transcendency and ingenuity in the creation of biography with novel visual angle and particular discussion,of which based the essential characters of film biography and progress of the Chinese one. At the same time we affirm DingYinNan's creative trait,we put him in the whole creative settings of the Chinese film biography even in the atmosphere of the Western one to evaluate his devotion and achievement in the domain of Chinese film biography objectively and truly.The first chapter of this article is to make a brief summary for Chinese film biography,and carry throught impersonal expatiation and boundary-ruling to the film biography's definition and essencial traits, besides these this chapter also elaborately enumerate the Chinese film biographies' evolutive skeleton since 1949. The second part is to take the three paragraphs as a dissertated nucleus to illustrate the Chinese biographies'creative technique and style of different stages , which including the heroes' canticle in the revolutionary years the historic reflection of reformational age and the review of the century alternation to annotation its evolution and progress from the holistic structure. From these whole discussions it naturally derive DingYinNan whose assimilation and usage for reference to the older generation's creative experience during the course of the film biographies' creation as well as the penetration and understanding to the Chinese traditional aesthetics. The third part go deep -into the world of DingYinNan's film biographies which starting off the production and historical fact, and making a meticulous profound all-sided discussion and summary from many aspects such as the particular epic style , the expression of on-the-spot record ,the mould of sound and picture and feeling concern of human civilization. It not only profoundly excavate the aesthetic and artic feature ofDingYinNan's film biographies, but also impersonally estimate his achievement and localization in the field of Chinese film biography.In brief, this article is to put the individual research into the collective research of community which to compare and explore the film biography's works of this special theme lognitudinal and transverse. With the Chinese and the Western comparison of film biography and with the evolutive course of Chinese ones at various stages, this article lead the theory out of the history and analyse the person by the theory which stand out DingYinNan's creative status and features who is the great master of Chinese biographic moviedom.