On Huang Jianxin City Movie

Huang jianxin is an example of directors in the fifth generation .His unique style and city image world not only set up an important position among directors of fifth generation for him, but also got a deep meaning to the development of Chinese city movie. The paper illustrated from parts, and related his style and city movie world systematically.By doing this, the author tried to change the bias in the traditional movie research, mastered the orientation and developing trend of Chinese city movie as whole. The paper also broke a new way for fragmentary research in the previous, paid close attention to the research about Huang and the significance of his city movie, which can provide some information for movie workers to carry on research and creation.Chapter 1,Huang jianxin and the fifth generation. This main analysed the linkewarm between Huang and his community. It can be divided from two parts: mutual consanguinity have a style of his own .Huang belongs to the fifth generation, his intrinsic spirit is consistent with his community. But he dose not depend on the community, he his own pursuit in the image world.Chapter 2, Huang jianxin and city movie. This oriented Huang' s city image and mastered as a whole by introducing the relationship between city and movie as well as the developing trend of Chinese city movie. It contains three parts: idea of city and city movie orientation of Huang' s city movie unique city image .The movie comes from city , while Chinese city movie has its own features .Huang expressed his feelings about city in his image world , so he held a special position in the development of city movie .Chapter 3, modernism image .The chapter mainly analysed and discussed the modernism style appeared in Huang' s movie of earlier stage .It divides into three parts: express and symbolize black humour() surrealism fantasy . There were some features in his earlier movie . He laid stress on symbolism of colours .building space model and stylizing movie,He narrated stories and created typical characters as well as their nature by employing black humour. He tried to construct the atmosphere of surrealism fantasy to express the nightmare of modern people , at the same time , he surpassed the level of morals and ethics but got into the field of unconsciousness and subconsciousness .Chapter 4 , the chapter analyzed and discussed the postmodernism styleappeared in Huang' s movies after he transformed . It includes three parts: disintegration and fragments dissolution and contingencyadults' game . Ln his movies after transformation , he tried to createa kind of state by employing a means of disintegration . That is to say, hebroke determination of history and necessity of logic reducing the depthof movies , and revealed the meaning of life by exposing contingency oflife and tragedy in one' s life .He discovered some social problems andpenetrated into character' s inner world by making social content turnto be serious and making aesthetic judgment turn to be a game .Chapter 5 , the chapter is a conclusion of the whole paper . The author discussed the significance of Huang' s city movie from the current existing situation of Chinese movies . Directors 1 ike Huang jianxin stuck to sincerity when they made movies of the third type .which suggested another way for Chinese movie to live on arid to develop .