| "Sorrow for objects"is the important ancient literature trend in Japan. It influents people's inner world and becomes the symbol of Japanese aesthetic culture."Sympathetic spirit"is Chinese important ancient literature theory in the Six Dynasties. There are many similarities from form to content between"sorrow for objects"and"sympathetic spirit". This article tries to carries them on comparison from following several aspects:First chapter: Specifically discuss the formation and development of"sympathetic spirit". Divide this phase into two stages: one is the un-literature-theory stage; another is the literature-theory stage.Second chapter: Specifically discuss the formation and development of"sorrow for objects". Divide this phase into two stages: one is the"sorrow"development times; another is the"sorrow for objects"development times. The latter is discussed from two aspects such as"sorrow for objects"and"sorrow for object essence".Third chapter: Carries"sympathetic spirit"and"sorrow for object"on comparison thoroughly: Firstly, analyze the interlinked nature between them from the word meaning and translation angles. Secondly, put the Chinese Six Dynasties literature on the origin of coordinates, and then elaborate its influences on"sympathetic spirit"and Japanese culture. Thirdly, put the Japanese Pingan Dynasties culture on the origin of coordinates, emphatically analyze the process that"sorrow for object"absorbs and dispels the Chinese literature theory, which includes"sympathetic". Lastly, summarize the form elaboration, induce the similarities and difference between the two.Conclusion:"sorrow for object", which is developed during the process of absorbing external culture unceasingly, is the key aspect to grasp the essence of Japanese culture (literature). To study"sorrow for object"has unique reference function for us to solve the time topic about"how the Chinese native culture to move towards the world". |