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From The Color Factor For The Development Trend Of The Document Intended Portraits

Posted on:2008-09-13Degree:MasterType:Thesis
Country:ChinaCandidate:S Z HeFull Text:PDF
GTID:2205360215971982Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Traditional Freehand Figure Painting belonging to Portraiture Branch of the Literati painting,is along with the creation of the literati paintings,Under the influence of the literati painting aesthetic standards which emphasizes the black and lighten the color, color as the basic elements of painting has been replaced by "black separating into five colors" ,which caused the lack of color performance in Freehand Figure Painting.Modern due to the influx of Western culture ,Occur collision and fusion with Chinese traditional culture,Chinese painting is at the stage of transition to modern paiting,Painting returned to its body.Color as the most influential and performance factor in painting, not only possess an independent aesthetic value and the function to performance the Inherent emotional performance of artist,but also as the modality factor of paiting Language,play an important role in the form of picture. modern artists absorb nutrition from every aspects,Enrich and augment the color language of Freehand Figure Painting , Deepening our understanding of the ontology of colorful language has become an important basis for the performance of color.This article is for the purpose of paying attention to the present color language development of the pen ortrait. Through the present situation analysis of color language development of Freehand Figure painting, the artistic value of color language is rediscovered from the point of ontic means of color language.As a current innovation breakthrough point of Freehand Figure painting,color does has the unique artistic charm.This article altogether is divided into four parts. The first part narrates the necessity of the Freehand Figure painting study in the modern reforming process, and analyzes in the new time people's new esthetic characteristic tendency from esthetic psychological and the esthetic standard change. The pure words appeal has not been able to meet the people esthetic needs.And how to maintain the national and global characteristics of Chinese painting in the current globalized environmen is stated. As Chinese characteristic drawing language,the ink tool is going to be joined with color which is worldwide used to display color's expressive force efficiently, which constructs morden Freehand Figure painting systom with morden modelling and constitution to make it enjoyable by people.The second part is emphatically in to color itself analysis.It elaborates the color language itself's expressive force and its use in the drawing field from the symbol, emotionality,and series sense nature.It also from the view of form factor analyses the important role that color plays to display some enlightenment in color for Freehand Figure painting.The third part has analyzed the Freehand Figure Painting's color development situation. Has made detailed indication from the not perfectly of traditional color language to the near modern Freehand Figure painter's efforts in color. The painters in the traditional drawing , the Western drawing, the folk fine arts, the mural absorb performance Form of color, greatly strengthened the Freehand Figure Painting's color expressive force. On the one hand these explorations explained the major development tendency of the Freehand Figure Painting in the color domain , on the other hand also explained the possibility to the color essence significance deep level development .The fourth part summarizes the article and indicates the roughly tendency of Freehand Figure painting.Namely through the words agent retention and the color language unceasing consummation,the brand-new modern Freehand Figure painting system is being established.
Keywords/Search Tags:Color factor, Main body significance, Freehand Figure painting, Trend of development
PDF Full Text Request
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