Rebelling And Inherited - The Fifth Generation Of Chinese Film Comparison Of The Sixth Generation

The contemporary Chinese film production is divided into six generations in accordance with the general director of "inter-generational" pedigree by the film industry and the cultural sector. The fifth generation was born in the early 1980s,and the sixth in the early 1990s.Subsequently,the two generation almost simultaneously achieve to the peak of artistic creation.But they showed a huge difference in the arts style.Based on the five differences of generations five and six,this article compared to conclude their respective artistic characteristics,and further analysis of the underlying reasons.Partâ… -the significant differences of dominant form.The fifth generations and the sixth are summed up respectively to the dominant form as "image modeling Aesthetics" and "documentary aesthetic." by means of modeling and the way different decisions.The fifth Generation directors is rich with symbolic significance of the image modeling and strong audio-visual stimulation means,in the form of videos highlighting flu and visual effects,the film is obviously a "theatrical film,feature. The sixth-generation directors are firm in pursuit of the aesthetic style documentary,"consciously" grasp and use long lenses,and air-art practices,emphasis on the specific historical description of the environment in order to achieve the real world as far as possible,the real show,Videos have a distinct "ecological" characteristics,showing a "record the movie" characteristics.Partâ…¡-the significantly different in main Perspective.The fifth generation maintenance "groups" perspective consciously reflects on the history,which induced the Enlightenment function in their works.Whereas the sixth generation in the main choice of apparently "Whispers" character, and with memories of the way,to watch the real world in a cool perspective. The main decision of the different perspectives of two generations of people who treat history different attitude,but reflected two generations of film directors for its position is very similar - is positioning itself for the intellectual elite.And the fundamental reason for this position is that China has formed the "literati" class and thinking.This makes Chinese intellectuals have the innate sense of enlightenment,but because from the general population,making it the "enlightenment" and "salvation" as a "top-down" and "sympathizing" the formal gesture,not practical significance.Partâ…¢-focus on different topics:historical themes or reality themes. The fifth Generation director have experienced the suffering of a special "love" for the Chinese nation and the Chinese people This on the history of the nation as a "grand narrative" behind the film is the fifth generation for the nation and the country and with a history of "Fable" for writing. Such writing,aloof in the daily lives of ordinary people,they placed the profound moral and emotional complexity.And the sixth generation filmmakers are based on the reality of their own lives over the world, or the expression of youthful ideals,or performance on the "brink" of concern,in all its cramped vision and the reality of the environment. This selection of too narrow,making five or six generations of the art directors from the reality of not "offshore" smooth the arrival of the history of "the other side",depth and therefore weakened.Partâ…£- taking in the use of performance techniques.The fifth generation pursuit of high-intensity stimulation and crafted in the area of audio-visual,to the detailed the characterization,and the sixth generation with a long lens,the lens focus on air live performance of "ecological" fifth-generation extension of the traditional way of the performance of drama more,the sixth generation from modern Western concept of the creation of artistic works,practices more.This focus on performance of the respective techniques,and the fifth generation,the sixth generation director' s environment for the growth of the education has a very close relationship.Partâ…¤- many of the cultural differences behind precluded.The two generation are different in the art style on many different levels,and the underlying reason is the cultural revolution era of gene transmission and Evolution.Directors belongs to the two generations have different experiences of the cultural background,the social transformation of the effects of the two different,the decision to show their work groups and individuals,with the lofty and dirty,complete narrative and narrative fragments of the distinct antagonism.Although the works of two generations of a larger whole different artistic styles,but two generations of the artistic director in the exploration,also have their works of art with other characteristics.This concentrated expression in the Sixth Generation directors in the creation of the Enlightenment and creative director of the fifth-generation post-modern style of the initial attempt,and so on.Conclusion:Although the overall style and performance to deviate from the inherited between the fifth Generation and the sixth generation in China for the local film,in the deep cultural connotation of thinking, enjoying boom surprisingly identical.Fifth,sixth-generation film "literati" class determine its works of art and cultural basis of a "cultural elite" and that the positioning error,making movies and art to a certain extent,as a public art from being widely accepted The essence of the film arts.Contemporary Chinese movie will also look forward to a more welcome in a new generation of filmmakers to the efforts of tomorrow.