Font Size: a A A

Northwest Guizhou Miao Xie The Lusheng Cultural Identity In The Dustpan "ceremony And Ceremony Music

Posted on:2009-11-02Degree:MasterType:Thesis
Country:ChinaCandidate:X F CengFull Text:PDF
GTID:2205360248952457Subject:Music
Abstract/Summary:PDF Full Text Request
This article is based on theoretical research field in research,the case called a"JieBoJi" Miao sacrificial ceremony is in the Union Village of Jinsha County northwest of GuiZhou province.The paper follows the theory and research methods of national music,and use the human culture In the field of vision.The research focus on the framework of the ceremony,religious concept and cultural connotation,the unique features of the ceremony music for interpretation,ceremony to the music of the Lusheng for the Analysis of cultural identity.Miao nationality has a long history in the endless journey of migrate,and historical fight with nature to survival,Miao developed its own unique cultural traditions.Migration is often the process of loss of a nation's native culture and cultural elements,for the development of ethnic groups and survive,ethnic groups must adapt to the new environment,to develop their own cultural traditions.But a nation will consciously retain their traditional core factor in the development history process.Lu Sheng is a unique cultural accumulation in the Miao community in the history of cultural development.Lu Sheng music of Miao is a unique musical and cultural phenomenon,the implications of the Miao people's movement of history,religion,ethics,philosophy and aesthetic concepts are includes in this musical idea.Therefore,in modern society with social transformation and traditional cultural crisis,the author's comprehend and analysis of the characteristics of Miao's traditional culture and its future orientation have a practical significance.The Paper include the introduction,body and Conclusion.Introduction:the status quo relating to the topic,the significance of topics and research methods.Chapter1:From the natural and human environment,the purpose and significance of the ceremony,the faith interpretation the ceremony,this chapter unscramble these Three aspects of "JieBoJi" ceremony;further realize that the "JieBoJi" is a religious and cultural national characteristics. in a particular social and cultural background. Chapter2:The description of the"JieBoJi" case in Tao-home in Union Village of Yankong town,Jinsha county,Guizhou province,as well as the detailed description of various procedures in the use of Sheng-drum music.Chapter3:Detailed analysis of The ceremony,including the classification,structure and characteristics of the wooden drum features. and believe this music is entirely in the service of"JieBoJi" ceremony.Chapter4:"JieBoJi" at this particular cultural context of the cultural identity of Lusheng Analysis:Lu Sheng Construction of the ceremony as the protagonist,it has a "witch" cultural characteristics and "music" body characteristics.Conclusion:In the basis of this research,try to interpret the the development of traditional culture.
Keywords/Search Tags:"JieBoJi" ceremony, Sheng-drum music, Lu Sheng, Wooden drum, The cultural identity of Lusheng
PDF Full Text Request
Related items