Warm And Sharp Spectator

Michelangelo Antonioni's films are on behalf of the representative of the contemporary ideological and cultural backbone of Italy. The study of him has come a long way to seek inspiration for chinese film. This article try to make a thorough research on Antonioni's film career in order to study the background of the films, ideological implication, aesthetic character, works that embody the specific issues to a full range of analysis. Because of the effects of the Italian neo-realism on Antonioni, his films try hard to express ineffective communication of the lonely people, sick and alienation, as well as the spirit of Antonioni's films reflect the sense of modern philosophy and other issues of the tragedy, the films reveal the tragedy of Antonioni . In specific aspects of film style shooting, this article on his image and color modeling , the difference between the perspective of object shooting the film in a unique repetitive imagery, long lens, the use of aids such as the minimalist aspects of Antonioni's films conduct an in-depth exposition and in the final of the specific movie "cloud on the day" to the resolution of the Antonioni film to explain the modus operandi. Antonioni lives are troubled by the film to explore his predicament of modern philosophy, which is his deep serious exploration. Antonioni's film career started under the film environment of the Italian neo-realism , he also personally involved in the new realism of the changes during the course of the film. "Film" magazine editorial experience enable him has a clear understanding of reality and get a complete picture of Italian films, and knew many main go-getters of the neo-realism from the cooperation, but also know a lot of neo-realism films and film production skills in the pursuit of depth to his mark film knowledge reserves. His experience of documentary film made him take a step forward towards the pursuit of the true inner reality. under the impact of modern thought, he figured to focus on exploring the plight of the modern philosophy of Marxism. Modern cold loneliness, alienation between people, people in the modern environment of the sick, the material on such issues as the alienation of people for a long time haunt ing Antonioni, he calmly watched the movies about these people.They are also directed to explore the spirit of his lost tragedy. In this inquiry, the Antonioni's film show a unique style of the author. His film does not focus on the story of a strict rhythm, plot settings can extend, or seemingly unrelated to the cumulative flow of life, but at the end of his story can be seen to deal with the best of his ability to excel in narrative,to outstand most of the end ,and to push the film's intention to the front of the thinker. Antonioni's style is easy to be identified by the images, he closed the film's environment settings, against the background of the suppressed people of the lonely heart, desire, desolation and despair, rigorous modeling of the color is a reflection of inner reality, every high-rise buildings and small Comparison of characters, figures show no survival to the plight of relief. Antonioni's films with a lifetime component of the spirit of a modern city, are as same as the world of Kafka's novel "The Castle", representing the spirit of the plight of modern man.