Women, The Patriarchal Culture Of The Eternal,

In Chinese ancient literature history, Yuan drama is a shining star, its content, the number of large,called the generation of literature, as the ancient Greek tragedies, India brahman drama.In figure and subject choice, and more flexible yuan zaju appear extensively, not only to the historical, social, political and legal ways such traditional fairy, is looking to yourself in a vast people under, especially actively mining and represents the female, created the world from a different situation is different, the female image. They are scattered in yuan drama, each pearl strings together constitute yuan dramatist female group, scattered can glimpse yuan dramatist of female.Marx said:"as the progress of society, the social position of women can be used to accurately measure".Since the five thousand years ago paternity clan society replaced, men living in political, social, and cultural fields construct their rule, rule of the other party's vast group of women, women are male domination, as the object of male vassal. In both sexes the opposite sex, the men in the society is bound and control power. Women's gender temperament is prescribed for trial and obey. Yuan drama writer in the feudal patriarchal under the historical and cultural background, in writing will put their male consciousness on the works of women in the image, thus make the female image of a strong smell of patriarchal culture.On the image, the girl with yuan dramatist as a representative of the yuan dynasty more men from women's marriage obligations shall bear the bold expression girls go to pursue and strong, but not for the so-called love praise them, these women often show anxious to get rid of the marriage, the living condition, the girl do such behavior is actually the men's wishes. Women are more urgent, the behavior of male self satisfaction thoroughly. The men and women of the relationship between initiative and passivity in, the more active was upset the party in the relationship between men and women in the passive, more passive one often in position。Yuan zaju drama writers treat household women, paying special attention to their internal culture character, namely the virtuous fu filial piety. Feudal society "superior", "SanCongSiDe" thoughts in that they reflect gets the most impressive. They were excluded from the society, the service life of the object is man and family. They abide by the feudal woman, no self awareness, indifference, all the pain of their hopes on man, They suffered a thousand, all obstacles, is to a man. As a woman, lack of self life consciousness and life, in pursuit of their consciousness, living is xiangfujiaozi and filial parents-in-law. This kind of practice is male female consciousness of the product. They have no thought, no soul, men will be listening, consciously into attached to his men, unselfish dedication and thoroughly sacrifice for men and the patriarchal society.Besides girl image and family woman image, yuan dramatist will also introduce large image of prostitutes research vision. These prostitutes image appears on the maximum satisfy people, especially in the yuan dynasty, because of the real situation people down the embarrassment caused by psychological, beautiful amorous, gentleness docile by all love reading, devoted to scholar, even at this BaoMu do with resolute struggle, even the rich merchants face and assets The scholar with total harmonic deaf. In the era of women lose the right person, the reason of prostitution is they finished the men's expectation. The special background, the loss of political status and economic status, makes the wretched fell to miss their people only dream, with the romance of the imaginary prostitute warmth affectionately, buchibuqi to compensate for the loss of power, therefore, that the heart is still male prostitute image of consciousness.