Modern Chinese Painting And Hu County Peasant Paintings Combination Of Inquiry

Lacquer painting is a bright pearl in the ancient treasure-house of Chinese culture, is also an important part of China's traditional culture and the arts. It has always been admired and cared about by people. Modern Chinese lacquer painting has ancient traditions; contemporary lacquer grows out of the "painting" from lacquer arts and develops into a kind of pure art-based painting-modern Chinese lacquer painting. Since in 1984 lacquer attended the Sixth National Art Exhibition on a large scale, modern lacquer painting has gone through 20 years of development experience. In two decades, several generations of lacquer painting diligently pursued and explored the art of lacquer painting, under their continuous efforts; the modern lacquer painting has made some progress.in the artistic language, group structure, the construction of disciplines and theoretical exploration areas. It has greatly promoted the development of modern painting art.The formation of Hu county peasant lacquer painting is not overnight; it originated from ancient Chinese culture and had thousands of years of accumulation. It was formed by the collective aesthetic consciousness of the ancient specific social and cultural structures. It has deep roots with the 40 years of development of the local theater, dance, civil society fire, land boat, dragon and other rich forms of popular culture. The lacquer paintings are based on the figures, animals, birds and flowers, depicting the beautiful natural rural scenery of the countryside. The Hu county peasant painting adopts the line drawing form, which makes the paintings full of imagination. it has both the characteristic of the abstractionist school, and the innocence of the children's painting. It goes after the strong visual shocks, paying attention to the contrast of the colors, the color is gorgeous and intense, rich and vivid, but at the same time, emphasizing the harmony of the styles. Its romantic style and simple honesty made the painting have strong local characteristics, is a native local art.The modern lacquer painting and the peasant lacquer painting are very different painting style. The focus of this paper is about the colors, themes and techniques of the lacquer painting and combines the three aspects to achieve certain results. Such a useful attempt has played a certain positive significance in the development and the promotion of folk art. Especially in the northwest, lacquer painting is just at the initial stage. Profound cultural accumulation in the western region should make full use of these favorable factors, the positive absorption of folk art and traditional culture, the essence of diversified development, in order to continue to discover the spirit of innovation and new materials, new forms, new content, the completion of inheritance and innovation in this difficult task, to create not only the traditional folk culture, but also the high level of aesthetic taste for modern painting. My works of my graduation creation make full use of the western folk arts--- Hu county elements of painting, combined with painting techniques. This creation, not only carries forward the traditional folk culture, but also made a good attempt to the development of modern Chinese painting.So far, no one makes specialized research on the modern Chinese lacquer painting and Hu county painting. Therefore, my paper is about this topic. This paper is divided into five parts:The first chapter "Introduction" to introduce the meaning of the study, and to solve the problem in order to highlight the value of this topic.The second chapter introduces the history of the modern Chinese lacquer painting, from the introduction of Chinese lacquer painting history and positioning to the division of the local paintings and finally the development of the contemporary painting, it gave a detailed account of the Chinese lacquer painting.Chapter three gave a introduction of the paintings of the Hu county, from the presentation and profound cultural heritage to the historical changes in the peasant paintings, it gave a detailed account of the lacquer painting from 5 aspects.The fourth chapter is a core part of this paper, through colors, themes, techniques and the comparison of the three aspects, points out that the Northwest lacquer painting should have local characteristics, should go with the traditional culture, folk culture. This combination of lacquer art development and the attempt to carry forward the folk art has played a certain positive significance.Chapter five is the conclusion part, it summarizes the views of inquiry, issued the call.