Discussing The Aesthetic Character Of The Jairong-zang Nationality's Furnitures

Because of the special geographic environment and the national amalgamation, the Jairong-zang Nationality's culture has a mult and particular character, and the aesthetic feature of its furnitures reflect these inclusiveness and uniqueness. This paper takes a view of dot,line and surface designed idea, so as to analyze the aesthetic character, and to discover its deep cultural contents.Most of the woods of the furnitures draw on local resources; and the tools include traditional ones and the external ones. As for the handicraft, the woods,colouring,sculpturing all reflect the cultural character of Zang nationality.Discussing the aesthetic character of the furnitures from the dot,line,surface and color. Dot, mellowness and always been placed in the middle of the furniture, which is reflection of full,replenish,decorous and integrity of the aesthetic character, and also is reflection of goldening and grand scene of a certain religion.line,is flexilbe,rich,fine and smooth and steady,which takes example of Thangka art and also has its only specialty. Surface, the surface of the furnitures has the characters such as segmentation of the pattern and shape,symmetry,without leaving a trace of the whole and the parts,and some architecture feature on the appearance.The use of color has a religion view.The ornamentation pattern includes geometric ones,plant,animals,chareacers and religion pattern,which are graceful in line,abundant inpicture,distinctive in characters,and are in a high duper of artistic charm,and also reflect a grumous religion,people and nature's relationship and the amalgamation of the culture of nationalities.The particular geographical environment, process of history and the humanity atmosphere bring up the particular aesthetic character of Jiarong-Zang Nationality,and the furnitures is a reflection of blending with nature, and also the refraction of the special culture of Zang Nationality.