The Studies Of The Chang-an Images In The Tang Poetry

Imagery is the basic unit of poetry, in that it shows some words that contains the objective image and subjective emotion. The Chang-an images have such characteristics in Tang peotry. The academic research focus on Chang-an Tang dynasty in geographic culture aspect as well as the relationship between literature and culture, and it has the impressive results, but the studies of the Chang-an images in the Tang poetry is relatively weak. In view of this, it is very necessary to research the image of tang poetry system.The article is divided into three chapters. In the first chapter, firstly, define the concept about Chang-an images, Chang-an not only refer to the concept capital, but also refer to the peculiar natural and human landscape, therefore dividing the Chang-an images into two, one is defined as capital image, another is the landscape images. Secondly, try to comb the Chang-an images in the poetry before Tang dynasty, in order to outline its source.The second chapter is focus on interpreting Chang-an capital image. Firstly, it attempts to descript accurately and clearly about the evolution of Chang-an capital image from the time. Early Tang poetry as the emerging Li Tang dynasty which was filled with vitality and beard the Great Tang Tian zi's respective and the prestige of imperial power. Under the flourishing Tang dynasty, it revealed a peculiar golden dynasty that closely linked thought-unification meteorology. The Chang-an image of Ann history in chaos, was the reflection from prosperity to decline of Tang dynasty. The Chang-an image in Zhong-Tang's poets with complex emotion, both were gone ideal disillusioned, sadness of every time no longer and also the expectation of Tang's revival. In the Tang last dynasty, the Chang-an image contained more helpless and sadness. Secondly, it explores Chang-an image in the Tang poetry from the regional space:the scholars of the Tang dynasty had many choices of life value, such as the. imperial examinations, GanYe, going to frontier, plugging into staff, living in seclusion. For most people, no matter what choice, it was point to Chang-an that went through the thought of WeiJue. As advocated Jing-Guan, once left for suffered or unsuccessful reasons, the Tang would produce a kind of love for Chang-an. Thirdly, it analysis the reason of Chang-an image again, one is the capital culture consciousness, another is the regional culture consciousness.The third chapter is research on Chang-an landscape images of tang poetry. This paper selects two typical landscape images:Qu Jiang and Hua Qing imagery, investigating its evolution and connotation. Qu Jiang, as scenic spots in Chang-an, it appeared timely in Tang poetry, no longer just a landscape, contained many thought emotional factors, among which there were contained some praises by Qu Jiang image, a generation of empire's rise and fall, the moving scene moving, a deep sigh about philistines between inter and vent. Hua Qing showed performance and a kind of the glorious age in early Tang poetry. After thoroughly suffered poet Du Fu, it subverted the critical meaning. After Ann history chaos, Hua Qing undoubtedly became a sentimental palace and synonymous pronoun with sadness and allegory in Later Tang dynasty.