Body Language Between Chinese And Western Drama Performance With The Spirit And The Traditional

Art is uniquely human behavior, as an important form of art. In drama, body language is very important to construct the artistic method, also is the important characters in the play material, with oral language, body language information and assumed jointly with the task of exchanging feelings on oral language, but also produce very big strengthen function, produce more than oral language, produce the role of shock audiences, have the effect of all is the role of all is in not call the turn.Body language and embodies profound contains the essence of drama and spirit. First, body language of the drama with general literariness to literary style have substaintial distinction; Drama theater nature is more closely with body language; Drama conflict also more accomplished by body language, actor body language in shaping the character, the character and the characters due to pursue character between different aims to launch contradictions struggle with oral language aspects has advantage. Body language better than oral language represent the higher levels of drama essence and spirit. In all, drama, art door with body sex. Only the body sex without other drama element drama is may establish, and conversely, with all other single lack of drama elements body drama is impossible. Drama body sex lies in: first, it is the presence of (the body on the surface meaning, body sex) in view mutual physical presence, be short of one cannot, and its various degree of interaction, constitute the most fundamental elements: drama theatre sex; Second, the body as a theatre resources being developed.Body language of traditional Chinese and western drama because different, and in the idea, the status and development track the differences. The two pole-distant kinds of theatrical concept led directly to body language performance in their respective drama tradition and the difference. System Under such a background, body language itself for drama, and the performers in the west this two kinds of disparate drama tradition brings the new development space itself become a worth researching topics.The first part of the thesis further explore body language for drama essence and spiritual significance; The third part of the thesis to comb body language in China and western drama of traditional concepts understanding and development track; The third part of the thesis and explore body language is in the modern context between Chinese and western drama that should be carrying value and function, the facing problems and their solutions.