Luliang Folk Wind And Percussion Music Survey

Since the 1980s, along with economical growth, science and technology level unceasing promotion, people's living standard unceasingly is also enhancing, but as a result of the external culture's influence, many are spread a lot of year traditional culture, the artistic culture to receive the varying degree destruction, because some quite frail folk art form its grows the external environment is destructed to border on exterminates. Now many on "how to protect and develops the non-material cultural heritage" to launch a series of activities. Government after understanding related situation, released the related protective measures promptly, the development "the Chinese folk art integration compiled the work", carried on the division according to the administrative division, carried on the collection reorganization separately to each provinces and cities'non-material culture and so on related work, has made certain progress. But, has some work not to be very also perfect, therefore, we should enlarge unceasingly to the folk non-material cultural heritage collection reorganize as well as protect dynamics.In the Luliang folk wind and percussion music's big suona is in a folk wind and percussion music important component. Ministry of Culture has done the folk art collection work since following 1979, many scholars have conducted the widespread thorough investigation and study to Shanxi's folk art, and has made certain progress, in June,2007 Luliang area cultural building Chang Haishun is having "Luliang Folk Composition for instrument Selection", narrated the Luliang folk band music commonly used names of the tunes to which qu are composed, the melody with emphasis, but also has Chief Editor Du Xuhua "Lvliang Non-Material Cultural heritage To gather together", introduced with emphasis Luliang area regional folk custom culture as well as special folk art form, involves to "the Lin County Big Suona", moreover some experts have also made some related investigation elaboration to the folk wind and percussion music, has made the very big contribution for a folk art better development.The author when investigates the Luliang folk wind and percussion music through reads "Lvliang Non-Material Cultural heritage To gather together", had certain understanding to Luliang's many folk wind and percussion music art, and using ethomusicology's field inspection method, carried on to the local folk wind and percussion music has visited on the spot, the tracking investigation several loud labor organized groups, to its internal performance condition, the exterior living environment as well as the career development and so on many aspects carried on the inspection, from angles and so on ethnology, cultural anthropology, musicology, statistics carried on the analysis to the Luliang folk wind and percussion music, obtained the massive material, and realized the folk art the unique charm and the unreplaceable functionality. This article through to the Luliang folk sound labor's interview, carries on the classification to the local sound labor organized group's present situation to summarize, analyzes its interior thoroughly and exterior the different development condition, the local folk custom ceremony uses specifically happily, as well as to inherits prosperity and decline person's to carry on the elaboration. Finally the author also from the folk wind and percussion music survival's environment and its internal concrete development condition is a breakthrough point, put forward the proposal to its later development.