The Art Of Frescoes Charm

River spread of Chinese culture for thousands of years, people were found in the continuous exploration of the many amazing history and culture, the Dunhuang murals and art is in our historical treasures. In the absence of prior research study of Dunhuang mural art, Chinese history, gave me the impression that the old-fashioned is closed, but fortunately this sixteen hundred years of recorded history the Chinese culture before the museum changed my shallow view.Dunhuang grotto art brought together a variety of cultural factors, in Dunhuang are very clever of them the absorption and use, we all know that the ancient culture has a significant influence from India, Greece, Islam, China, fortunately, the four Culture in China have been fused with the intersection. Here Dunhuang art across cultural differences, ethnic differences, geographical and temporal difference, which is its charm has been a major cause of transmission. Murals of the Buddhist culture is the main center of Buddhist culture that is spread from India over time, thousands of Dunhuang Grottoes were, all about the content of the Buddhist teachings, the Buddhist art of sublimation, and very complete performance out the contents of this unity makes the performance looks very spectacular caves, go over there and let people appreciate the worth of the shock. Murals of the content in the expression of Buddhism, but also painted secular scenes, depicting all kinds of characters, borrowed from the Western culture, Western Wei period of one side is the cave in there topless image of naked Indians, and the other one side is the big sleeves of Chinese robes image, the image of both sides of different features. Northern Wei within the East and West walls of the cave's contents are the contents of Buddhist culture in the Grottoes around, depict traditional Chinese culture and Taoist Goddess mythology and other topics. Can be seen in the Dunhuang Grottoes rich content, the image of diverse blend of traditional Chinese and Indian Buddhism, we can see that we were in the absorption of foreign culture and the use of time, is the respect and modest.Murals of the style of performance reflects more the absorption of foreign culture and fusion. Said the Gandhara art is from the ancient Greek style with decorative approach to the theme of the performance art of India, through cultural exchange, artistic expression came to Gandhara to China, the Dunhuang frescoes in the caves during the Northern Liang are depicted in cross-foot Buddha, the kind of expression is a very typical style of the Gandhara style. Grottoes nude painted on the walls of the "Flying" image, which is the traditional image of the opposite, it is obviously also by the Western culture. Some of them painted with the Tianzhu combination of light and dark style of traditional Chinese painting gradation method, the two mutually harmonious and complementary. The performance of the Dunhuang murals we can see how to promote the local culture at the same time absorbing the use of foreign culture and art trick. The color of Dunhuang murals experienced the baptism of sixteen hundred yearsis no longer the original appearance, erosion, flaking, changes and other reasons, making the Dunhuang frescoes appear to have tremendous beauty. However, the color of Dunhuang mural itself is a colorful, picture is very impact, looks a strong visual tension, to cater to people's aesthetic psychological needs of religious sentiment. Dunhuang murals and color on the screen, the content and themes often plays a leading role, has a strong symbolic meaning. In ancient times in China, painting is known as Dan, "Dan-" means that the color was mainly popular, including representatives of five colors, blue, yellow, red, white and black. The color development of Dunhuang murals, has its complicated evolution, first of all, in color and painting style, different times, different social practices used in the form of a different color in his lush, like periods and other religious art is expressed as the Dunhuang frescoes art of the symbol of performance and especially the use of color, murals itself has a good color to the symbolic, to strengthen the spirit of the content of religious paintings, the most prominent theme of the symbolic figure. First of all, reflected in the painting style, different times, different social customs, so that different colors have their own form of lush period, can be said to be leading the trend for decades. Sheer number of Dunhuang murals, area covered, and is not the art of ancient treasures, which lasted more than ten centuries, and can so completely preserved for posterity as appreciation or worship, which the ancients and the hard work we can thinkknown. Dunhuang murals of different dynasties all have gone through different changes, it can be said that its fate and politics are closely related to the attitude of the ruler determines all aspects of Murals, a strong national spirit and national prosperity is directly proportional to the that we can Murals by studying observed obvious. Murals of the performance of China's rise and fall of dynasties face to convey a message of civilization history, accurate and powerful record of the Chinese civilization at every stage of growth.Dunhuang grotto art Since its discovery, there have been many aspects of the scholars of the murals professional research, I have access to research information to learn their predecessors, through analysis and inference, the circumstances surrounding the history of the Dunhuang murals, and its unique artistic charm form factors, and plain discussion and analysis around the Murals of the unique creative, to interpret the causes of its style and features, and its language expressions on people's visual and psychological effects produced, and thus in the creation of the mural in the process should have started to explore and discuss important factors. Modern murals in the process of how to take creative pictures to explore the overall coordination of correspondence, describes the ancient Dunhuang fresco in the creation of time, "Western" and the impact of positive significance to our mural art in modern practice, foreign culture, carrying forward the spirit of China's traditional culture, modern mural painting which is the key to the spirit. Murals by research and learning, try to have from the Dunhuang frescoes in the integration of a variety of cultures and the development and changes of blood found in the modern fit the valuable experience of mural art, mural art for the future of professional lay a good foundation .