Aesthetic Analysis Of Chinese Ceramic Fambe Based On Semiotics

Fambe glaze ceramics is an important part of Chinese ceramics, with its uniqueartistic style occupies a pivotal position in the history of Chinese ceramics. Ceramics as acultural symbol, and carries the culture and emotion of the human spirit, the Fambe glazeceramics is also true. Semiotics is one of the forefront of theoretical thoughts of thecontemporary humanities and culture as the scope of the study methodology. This paperwill semiotic theory and China ceramic art and culture of the aesthetic analysis baked incombination, with distinctive academic perspective, the variable of China ceramicssystematic theoretical research and discussion.First, this article is detailed and specific analysis of the various symbols in the kilnin the ceramics kiln ceramics is known as the symbol of the kiln characteristics,including technical symbols, color symbols, textures, symbols, and reveal thecontingency of their basic properties-a symbol ofarbitrary, non-realistic imitative andartistic expression type. Second, through to the Chinese ceramics for study, the variable'sproduction, the development and the change process to present them clearly, and therebymore in-depth stereo reveals the profound connotation of ceramic variable symbol andforming the basis. Fambe glaze ceramics behind a profound traditional culture, theaesthetic discourse of the human spirit of the subsumption of Confucianism, Buddhism,Taoism and the present. Finally, semiotics of symbols derived from the basic theory of artaesthetics, explain the variable of the aesthetic characteristics of ceramic symbols. Artform with the organic, incidental, dynamic and growth, it is isomorphic with the lifeforms, as a living body, the magic creation in the natural, harmonious, harmony, vivid,emotional and rational, the subjective and objective, abstract specific, intuitive andotherness of the continuum, and demonstrated outside the realm of infinite magic andwonderful as. Variable ceramic symbols is a kind of art is an illusion, its form is unrealscene. In addition, it also has "poem" this "second illusion".In this paper, the semiotic analysis method, on the ceramic kiln symbol, in-depthinterpretation of the multi-angle, to explore the aesthetic characteristics of the Chinesefambe ceramics and connotation.