| Grain appearance as a cultural symbol,is the culture of verdinglichung form, communication and expression of a certain cultural information and social attribute, carrying the abundant moral connotation,public life wisdom,special image thinking mode etc.It as culture developed to a certain stage into a relatively mature fields ofthe product,become distinguish different culture type and cultural levels of main reference.In the human development history,the traditional Chinese auspicious patterns always brilliant.People for the beautiful and vision of hope,the longing for the lucky and happy are converted to show originality,colorful patterns form,and reflected the different historical period of people's aesthetic mood changes and visual experience changes in the way.With"auspicious"as its theme.traditional folk culture for content pattern becomes one of the features of Chinese adornment art,and with its particular forms of self-discipline and beauty in the art of design role,become a crowd.The traditional Chinese auspicious patterns contains special artistic value,in modem design to them,can apply appropriately for contemporary art design adds new means and ways of expression.This paper will on the analysis of the traditional Chinese auspicious patterns theme classification,the development history and modern design based on the development tendency and the technique of research on how to utilize the traditional Chinese auspicious patterns creation combining the tradition with modern design style,embody the people-oriented design idea,from Chinese traditional lines of the fresh vitality and its enlightenment to modem design with the deep analysis,and then ci-theory intermittently traditional culture of"root"for modern Chinese design meaning.We only rooted in native culture essence of soil, profound traditional Chinese characteristics of"breakthrough",absorbing foreign ideas and style,inclusive,smooth transfixion transfixion,can creat a means of visual design with Chinese culture. |