Tang And The Five Monks And Laymen Miao True Image Dynasty

This paper attempts on the basis of previous studies to define the exact scope of the Tang and the Five the Temple true image by image blog with profound truth praise literature both through her finishing. On this basis, to identify the Cave case, combined with the Temple praise, epitaph, fat Yuan Wen, social instruments secular and religious literature, ceremonial function of the specific interpretation of the image in that time a specific time and space embedded sandbar and even people's national culture reflected in its underlying position and attitude, and how Buddhist caves portrait of ancestor, to Mural dependent portrait constitute a complete ceremony.This article focuses on three issues,(A) A Study on the Temple really praise the text as the main basis of Statues and vow text inscriptions instruments, supplemented by an overall consideration of the the grotto rituals space, as well as murals mutual configuration relationship, clarify and clearly define the profound truth of Dunhuang, Tang and Five Dynasties the nature of specific and quantity.(B) Discuss the Tang and Five Dynasties period in Dunhuang in the popular careen patriarchal (also known as following the law of the Mi V and moved to the law) and the Burial Customs of the system, Interpretation of the patriarchal system the Dunhuang aristocratic families open cave statues activities Temple true production the specific impact, such as the Temple really the seating arrangement, configuration, and between the size of the volume, painting, etc., as well as the evolution of the function and positioning in the profound truth into the family temple cave(C) by the family cave-True Church "relation, it will discuss extended to the Buddhist caves-Shadows, by sorting monk the Temple really basic schema, to explore the role of the profound truth in such a sacred space...