Research On Utterance Construction And Culture Property Of "Big Talk" Version Of Pilgrimage To The West

“Big talk” has been a spectacular cultural phenomenon in the Chineseliterary theory in recent years. It mainly refers to large-scale recomposition ofclassical works and all-round funny account of legends or stories people arefamiliar with. With hot debut of the film A Chinese Odyssey, the culturalphenomenon of the “big talk” of Pilgrimage to the West has drawn more andmore attention, producing a considerable number of works concerning to “bigtalk” of Pilgrimage to the West. With colorful content and form, these worksmodernly interpret classical masterpiece Pilgrimage to the West subversively.Deriving from a literary classic and crossing many fields of media, thecreation fashion of “big talk” is prevailing in current literary and art circles.Those works are rather well-received in public and especially among youngpeople.As other rise of literary phenomenon, the “big talk” of Pilgrimage to theWest must have its unique way of utterance constructing and inherent culturalproperty. To study the new problems emerging in the contemporary Chineseliterature and art, it is impossible to leave the specific sociocultural context.Starting with the prosperous situation of “big talk” of Pilgrimage to the West,and being combined with representative texts as example analysis such as AChinese Odyssey, Wu Kongzhuan, Dream Swims on the West, this paperdiscusses the utterance construction of “big talk” of Pilgrimage to the West“community” works on ideological conception, art image and aesthetic value,and explores interrelated culture property on multiple spirit connotation andperformance characteristics, striving to make a multi-angle and multi-level interpretation and discussion about “big talk” of Pilgrimage to the West whichis the increasingly mature cultural phenomenon.