Unpredictable Music On The Road

Human music to the 20th century, "the music is to listen to exist" - a traditionalaesthetic has been shaken, people are constantly in pursuit of the new pattern miningin the music, modern music with a unique philosophy of change in attitude has alwaysbeen music appropriate aesthetic judgment, to listen to (suitable for listening to), theintegration of a large number of philosophical, aesthetic ideas of modern music hasbecome highly personalized in a chapter of the Yellow Pages of history and pave theway for the development of post-modern music, Stella Vince The base is the hero ofthis historical stage. Judging from the writing style, of Stravinsky art style weird,fickle, not exactly belong to any genre, early writing style both Impressionism andobjective aesthetic description to express the self as the center of reality distortion andabstraction the shadow of expressionism; creation of the mid-Steinmann turned toneo-classical, his anti-impressionist aesthetic expression at the same time refute theclassical order and rules expressionism for the pursuit of free-form as well asemotional expression. At this point, Stravinsky 1939-1940 formal remarks on poeticson Six "in the Harvard University itself into the" pure self-discipline team - musicadvocacy, the pursuit of pure form - enemies and supporters of the emotional theory.Pursuit like other self-regulation theorists (Hanslick), and Stravinsky this "pure" is notable to achieve through the ages aesthetic researchers proved, emotional and formsco-exist extremely respected by either party will be a contradiction, as he inevitablyaffirmed the role of emotion, but more mentioned is the inspiration and feeling.Stravinsky described as "some other interpretation of the United States, radicalinsights" is precisely such a radical pursuit of various factors such as isolation andalienation in personality psychology and content in the form of forcing us, as rationalbelievers He ran away again and again. So in his later years and then returned to theexpressionist style, with this day and age, culture, self-contradiction, serialism for hislife explained and summarized in the 80-year-old drive in the forefront of the times.This article will be composer creative expression, the source of inspiration for composers from the multi-cultural background of the twentieth century, the creationof psychological and aesthetic concepts. Strive to conduct an objective and scientificreview by the composer aesthetic thought and modern multi-cultural development ofthe 20th century, the doctrine of dazzling, genre. In addition, due to the subjectiveinterpretation of the composer himself may be inconsistent with the objectiveassessment of the research methods that need to be speculative treatment of theprevious research results, this study so as to be scientifically rigorous complete.