The Influence Of Russian Advant-Grade Art On Lenin Period Poster Design

During he former Soviet Union, Lenin period, the Russian avant-garde art and poster design has been rapid development. Talking about the poster art of the former Soviet Union, the first is reminiscent of Stalin’s political posters, into the people in sight, more than is the hero idol and political leaders as a theme, the creation of "socialist realism" approach socialist political posters. Fixed subject matter of such posters, a single form of creation, and more "realistic" picture accompanied by eye-catching political slogans to promote the superiority of socialism, has a strong characteristic of the socialist ideology. In fact, after the victory of the October Revolution, and avant-garde artists the Tatlin, Lixisiji, Rhodes Senchenko, emphasizing the art of social role, denouncing "the creed of art for art", began to explore art and the integration of the design to meet the design requirements of the new regime. Abstract art language recognition, as well as artistic ideals and commitment to social mission consistency, the Russian avant-garde art, abstract art and poster design to assume the mission of the construction of the future ", this avant-garde during the art and poster design of the fusion phenomenon. The avant-garde art, abstract art language is used in the poster design, poster design to achieve a real sense of separation and painting after the October Revolution, and a combination of the characteristics of the Russian avant-garde art schools. These characteristics include the impact from the "three-dimensional-the futuristic ray radiation doctrine" and "constructivist". Therefore, the design of posters of Lenin during the showing Unlike Stalin preaching "realistic" performance, but has the characteristics of the "abstract", poster design ushered in a brief "spring".This subject focus mainly on the main line of the Soviet Union of Lenin during the poster design, combining a large number of posters, pictures, summarize the characteristics of the Lenin period poster art. The use of synthesis of comparative analysis and examples demonstrate the method, in-depth analysis and study of20-30years of the20th century Russian avant-garde art schools of the former Soviet Union, Lenin period poster design in the abstract form. Russian avant-garde art abstract art and constructivism of modern poster design and its significance, that is the exploration of abstract art abstract geometric modeling language or constructivist combination of elements between visual order and logic in the form of " constitute a "trial, is still the mainstream of modern poster design performance of language "and" abstract "and" constitute "the significance of the modern graphic design.This article is divided into four sections:The background and conditions of the first chapter of the Lenin period poster art from Russia’s unique historical and cultural background and causes of Lenin’s analysis of poster art during the two aspects of the early20th century Russian avant-garde movement in art. Definition of avant-garde art and abstract art, and described the relationship between the two, made a brief introduction and the Russian avant-garde art schools and to emphasize its importance, summarizes the characteristics of the avant-garde phenomenon.Start after the October Revolution, political and artistic environment for the second chapter discusses the emergence and development of the former Soviet Union, Lenin’s period of political propaganda posters constructivist poster design exploration after the October Revolution, the emphasis on the artistic features of the Lenin poster design during the and analyzed the impact on the possibility of the avant-garde art of poster design basis.The third chapter focuses on the Russian avant-garde art schools were on the Lenin period of poster design in the abstract formal brief three-dimensional-futuristic "ray radiation doctrine" and "constructivist" theory and the causes of, the focus of "three-dimensional-the futuristic poster design in the form of optical radiation’color poster design and constructivist poster design structure.The fourth chapter of the Russian avant-garde art and its implication on contemporary poster design discusses the development of constructivist graphic design and modern design education in our country, through case studies of well-known posters, to explore the modern poster design pioneer of Russian to send the reference of abstract art.