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Traditional Landscape Painting Copy From "Myriad Matsukaze Figure"

Posted on:2013-07-25Degree:MasterType:Thesis
Country:ChinaCandidate:W T CaoFull Text:PDF
GTID:2235330395453871Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Traditional Chinese landscape painting from the Southern and Northern Dynasties riseand experienced a thousand years of history.Gu Kaizhi to LiSi xun LiZhaodao, as well aspainting the history known as the ancestor of the Southern SectWangWei, to Jing Hao, GuanTong, Dong Yuan, actually, and then Li Cheng, Fan Kuan, Guo Xi,MiFu, Mi Youren, andthento the Southern Song four, and then Zhao Mengfu and Yuan Dynasty of thefour...Generate a lot of great artists, and create a lot of classic paintings and classical paintingtheory, Even if the space-time operation of passage for thousands of years, looking back, westill marvel.A classic works of nature and the spirit of unity, the crystallization of the lifeexperience of an increase classics predecessors, this is a great love and longing for theperformance of their nature, these are they of naturalwordless interpretation of life.Classics-traditional authoritative work-the test of time, the truth of painting.Classic works of greatartists depicting the common organization painted a tradition of Chinese landscape painting.Development of Chinese painting to today, coupled with the various aspects of the socialenvironment, etc., allows us to learn a different view on the copy of Chinese landscapepainting study of traditional Chinese landscape painting.Different times have differentcharacteristics of the times,Characteristics of this era for example, the current political,economic, and cultural characteristics, in addition to small there is pen, ink, paper and so onmaterial change and development, etc.Will unconsciously subtle influence our form ofpainting, the performance of the techniques of language, of course, from the characteristics ofthe times the existence of the good aspects there are bad aspects.This paper myriad Matsukaze map, for example in conjunction with their copy feel totalk about learning the understanding of the copying of the copy of the tradition of landscapepainting in the landscape,It comes from the pen and ink copy of the importance of starting onthe copying process, learning and the copying process of drawing pen and ink techniques, thestudy on the quality of the ink pen with ink applied skill accumulation, and then combinedwith the physics of the Northern Song Dynasty painting and drawing reasonablerelationship has arisen comes to combine naturally deepen the understanding of the copying process oflearning by copying paintings and painting the overall relationship between the learningbehind it comes to traditional landscape painting by copying for the meaning intended to havethe knowledge accumulated in the pen first. The combined knowledge and views of theancient copy of the view in conjunction with their greater emphasis on the affirmation of theimportance and value of the copy in the process of learning landscape.In short the full text with their own understanding of talk about copying understanding ofthe tradition of landscape painting process copy to learn the importance of understanding themyriad of Matsukaze map.
Keywords/Search Tags:techniques of pen and ink, pen and ink basis, personalized Reiki, pen force, laws, structures, values
PDF Full Text Request
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