| As Chinese native culture and foreign Buddhism collision produced by thefusion forms of Buddhism, zen, after formed, its unique ideas and methods ofknowledge, to Chinese cultural thoughts, all aspects of society have had aprofound impact, painting and calligraphy art nature is no exception, throughoutChina fine arts history will find, zen thoughts on painting and calligraphy fromthe influence of lasting and wide.Especially in the period of Ming dynasty, onthe one hand, the social and economic development is rapid, capitalist sproutsadly arisen, on the other hand, the national political operation disorders,political atmosphere nervous, under the influence of both at the liberation ofthe people common pursuit individual character philosophy thought, the wind ofthe chan also day line, engaged in the literati painting and calligraphy artis created "game zen yue", and the relationship between painting and calligraphychan also increasingly close, all the influence of the Buddha by zen paintingand calligraphy art at this time to a crucial period, as the artist’s example,DongJiChang at the conclusion of the inheritance history wang wei, su shi’sliterati paintings of ideal, but also in the practice exploration realize heled into the ideal of painting and calligraphy meditation.This article attempts from different angles, analyzing the influence of Zenon Dong qichang’s landscape painting, the article is divided into fiveparts:first chapters explain Zen Buddhism and its ideas,such as" that is theheart that Buddha" and "no read for Pope","Buddha enlightenment ideasincludingthe zen thought of aesthetic meanings. The second chapter from the perspectiveof social and historical analysis of Dong qichang’s relationship with Zen,introduced him To inquire, discuss, seek religious instruction course and theZen ideal of painting and calligraphy. The third chapter is the key part of thearticle, start analysis focuses on Dong qichang’s landscape paintings reflectedthe influence of Zen on the landscape painting, from creation, linguistic andaesthetic pursuit of three analyses. The fourth chapter put Dong Qichang andthe other by the thought of Zen effects in painters do transverse comparison,inorder to have a clearer understanding of Zen Buddhism on Dong Qichang affectlandscape painting.Chapter five try to summarize under the influence of zen.DongQiChang’s landscape painting unique form of feeling and abstraction. |